helloo
five years later, i edited what i wrote lol
hugee thank you to remi and hopefullawstudent- lmk if I didn't properly interpret your feedback though!
The release of Harper Lee’s widely anticipated novel “Go Set a Watchman” has provoked intense debate over whether her dissipating fame is a consequence of this novel. In his letter to the editor responding to the article “No way to treat an author: How Harper Lee lost control of her legacy”, Washington Post, Charles Slack argues in a satirical tone that the novel, in effect, does not detract from Harper Lee’s success. The piece is directed at readers who lambasted Lee’s second novel as a failure.
The repetition of the adjective “beloved” connotes both novel’s longstanding value by insinuating that generations of readers have relished in Lee’s works. By suggesting that these creations are dearly treasured and cherished by readers, Slack renders Go Set a Watchman akin to To Kill a Mockingbird. Slack further likens Go Set a Watchman to To Kill a Mockingbird, which he extols through the use of the positive superlative “greatest”. Such an extreme adjective emphasises that amidst the entire world of literature, Lee’s novels are of the highest quality and surpass the myriad of other novels. Thus, by employing the word “another” to describe Lee’s second novel, he intimates it is on par with her first novel. Consequently, Slack invites readers to reflect on their preconceived views of Go Set a Watchman as an inferior piece of literature. Moreover, the alliteration “shatters sales” accentuates the tremendous force/ power and overwhelming popularity of the novel. Readers are challenged to question why supposedly sub-par work has garnered much acclaim and thus, reassess the worth of Go Set a Watchman. Instead, Slack manoeuvres the reader to perceive the novel as a commercial success, (*What follows is a contradiction to everything I wrote above though?*) albeit not as sought-after as Lee’s first novel. By admitting that Lee’s second novel is a “lesser work”, Slack establishes common ground with readers who may have considered that his opinion was far beyond the norm and accordingly, repudiate his other arguments. Therefore, readers are invited to perceive Slack, and thus his opinion, as judicious and rational rather than extreme. In addition, Slack juxtaposes the true triumph of the novel against the belief that Lee’s life purportedly transformed into “a tale of woe” due to her its supposed failure. In so doing, Slack accentuates the flawed logic of those who fail to acknowledge Lee’s success. Coupled with the tricolon which increases in size “out the door, around the block and over the horizon”, Slack posits that the desire of many is to be in Lee’s position. Hence, Slack mocks those who resist to acknowledge Harper’s success, suggesting that they exaggerated Lee’s adversities and dismissed her multifarious, unparalleled contributions to American literature. Therein, readers are positioned to regard their arguments as unfounded and hence, may pay no heed to their claims.