From a musical production background my understanding of overtones are basically any frequency greater than the fundamental frequency of a sound, harmonics are overtones except at specific intervals. If your fundamental frequency was at C2 (65.4 Hz), then an overtone/harmonic could be at G2 (98 Hz). Forgot to mention, fundamental frequencies are the lowest frequency of a periodic waveform. This is going a bit off-topic but if you are distorting a sound (where you are 'clipping' a waveform), you are essentially creating overtones based around the fundamental frequency (this is a common technique in dance music where you want a really full sound). This explanation is purely from a music production background and I haven't yet done 3/4 Physics but I hope I offered some help
