AOS:
Discovery is a process which everyone goes through, to uncover hidden abilities and differences which are experienced in diversified ways including constant struggles and challenges. Ang Lee's dramatic film ‘Life of Pi' (2012) captures the idea of discovering hidden abilities whilst also drawing focus to the will to live. Sylvia Plath's 1962 poem ‘Cut’, focuses on the assertion of abilities, justifying its process of discovery whilst commenting on the symbolic subject of mortality. Both texts personas feature transformations where they uncover hidden agendas and reconsider what was lost and now found.
- First sentence has a tiny bit too much going on at once, perhaps split into two sentences, just to really give clarity to the ideas
- Good linking of texts to the idea of Discovery
- Not really getting a
single clear idea/Thesis, really accentuate the hidden abilities and how it relates to Discovery
MOD A:
Morals are distinctive qualities which every human possess, but how an individual chooses to action their moral duties, forms their character. This sense of moral judgment is seen in William Shakespeare’s 1599 play, ‘Julius Caesar’ as it forges the perception of good versus evil as it uses the historical concept of Roman monarch, Julius Caesar, with the playwrights own political context involving the queens instability from not having a clear successor. Throughout the play, the evident power struggle between good and evil persists through the concept of morality and more importantly persuasion. Correlated to the belief in how characters are vehicles for the struggle between good and evil morality, the concept of fate opposed to fortune is explored in political treatise ‘The Prince’ , written by Niccolo Machiavelli in 1509 as he incorporates historical events to justify the concepts put forward to assist a monarch in running a perfect kingdom. As both texts compare relating identities of morals, the judgment of characters being righteous or dishonourable must be addressed as they are explored in depth.
- Good conceptual start
- A little too much plot/context detail in introducing Shakespeare; try and get it done with less words
- Conceptual links to the Prince aren't overly clear
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Be sure to stress the comparative element of Module AMOD B:
Dilemmas are problems needing to be explored in various ways to tackle and surpass their boundaries until they are finally exploited. Poems ‘Goblin Market’ (1862) and ‘In an Artist's Studio’ (1896) discretely communicate personal ideology on religious aspects whilst referring to women and femininity in the nineteenth century. Whilst these themes are common in her poetry it is noticeable on how she gives voice to any person inclined to the same values. Rossetti is acclaimed for her poetry opposing social ideals of her context giving voice to women to exceed social prospects.
- First sentence isn't really clicking for me at the moment, perhaps play with expression
- What are these personal ideologies?
- Third sentence, not quite seeing the purpose of that
- This introduction needs more depth; try to include the idea of textual integrity to connect with the Module
MOD C:
Control is seen to be the ultimate goal for people involved in Politics as they strive to isolate and secularise people into believing in their ideas. This idea is shown through the futuristic dystopian novel, ‘Brave New World’ (1932) written by Aldous Huxley, influenced by parts of his personal context whilst connecting those to the ideas of control and isolation. ‘Blade Runner’ (1981) a neo-neir futuristic film directed by Ridley Scott also possessing dystopian qualities proves how control can isolate a human being into thinking morally corrupt actions for an organisation. Both texts highlight satirical techniques which show the powerful and complex relationship between people and politics especially the way each individual effects their political system and hierarchy.
- Good conceptual start
- Good introduction of texts
- Ensure your Thesis is sustained; Control isn't mentioned in the last sentence
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Be sure to link to the idea of representation explicitly to address the Module aims