Language is such an omnipotent tool because it can transport us to other worlds vis-à-vis
vis-à-vis to me means 'in regard to', so it seems like it is saying 'transport us to other worlds in regard to descriptive language' - consider changing to 'by utilising' or a simple 'with' descriptive language. The use of visual imagery in Lawson’s story
change to novel ‘in a dry season’
capitals? italics? has the power to transport the reader to new worlds and values. Similarly, his short story
as before, state the text type, rather than 'story. Capitalise and italics too please “the drover’s wife” allows us
change to 'the audience/responder to imagine
the barrenness of the Australian outback and the stereotypical ‘Aussie’ personality. Tim Winton’s short story
better except remember capitals ‘dirt music’ helps us
unless your teacher has told you otherwise, I would change this to audience/responder to understand how a person’s environment can influence their mindset and way of life.
I really like your intro. Try not stuff too much analysis in, save that for the body paragraphs. I think because your question refers to the responder, you will want to focus on the audience a bit more in here The
effective depiction of the landscape
what landscape? allows the reader to be transported
I would rather 'educated regarding' or something instead of transported - especially concerning culture to other worlds and cultures as they imagine the barrenness and isolation of the Australian Outback. Henry Lawson’s short story In a Dry Season meritoriously
is this the right word?illustrates the desolation and remoteness
of the environment/landscape/surroundings - else you have too many 'ands' in a row - or consider rewording the sentence and the impact it is having on the homo-diegetic narrator. The metaphorical language
in the quotedepicted in “Draw a wire fence and a few ragged gums, and add some scattered sheep” asks the reader to paint a picture in their imagination
I don't see the metaphor in here? Or you haven't discussed it's effect?. As the reader imagines the setting as a vast but unfilled wasteland with very little to attract the eye, it helps us to understand the impact the despondent atmosphere is having on the protagonist. His humour is very sardonic as he states that
better transition into the quote nice! “Death is about the only cheerful thing in the bush”, hyperbolising the ghastly landscape to illustrate the effect it has upon him
can you include the responder in here also? Your analysis here is good, just needs to answer the question. The humour associated with death is very wry,
here as he juxtaposes death and cheerfulness to emphasise both the devastation of the landscape and the upbeat, Australian spirit of resilience
that is required to face it. His paradoxical humour is also used previously, “The least horrible spot in the bush…is where the bush isn’t”, causing the reader to question the value that lies within the landscape
YES!, expressing the character’s strange idea that the bush is only required in its absence. These quotes
I hate using the word 'quote' in essaysexpress the negative, yet thoughtful opinion that the narrator
contemplates ofpossesses regarding his outback surroundings and the way this influences his life.
‘The Drover’s Wife’, a short story written by Henry Lawson pictoralises the Australian bush in a way that suggests the loneliness of the characters as they are isolated from human fellowship. It captivates the reader by conveying emotions and communicates ideas in a way that is transformative by employing realism, imagination and interpretation on the audience’s behalf. Visual imagery in
the phrase “Nothing to relieve the eye save the darker green of a few she-oaks which are sighing above the narrow, almost waterless creek” engages personification in the ‘sighing’ to suggest exhaustion, slow movement and weariness
good - but how does this affect the responders perceptions?. Through these techniques the nothingness in this landscape is emphasised, while also depicting
suggesting? it is alive and visually striking despite its sparseness and the weariness it creates. Lawson creates an image of the despondent setting by hyperbolising in the statement “the everlasting, maddening sameness of the stunted trees – that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail – and farther”
this is quite long - consider shortening it, again utilising
descriptive language in the form of visual imagery. The diction of “stunted” gives the impression of something distorted or diminished physically as being ruined by the heat. Furthermore, the “everlasting sameness” evokes a feeling of monotony. Lawson’s description is effective here as it imprints this image in the reader’s mind of a sparse, dull landscape that is lifeless and lacking in energy or vibrancy.
The excerpt from Tim Winton’s narrative, “Dirt Music”, is a fantastical explanation of how idiosyncratically pictorial imagery
too wordy can explore the ways that landscapes
can stimulate an individual’s response to significant aspects of their life. It represents sensory perceptions and feelings told through ‘Georgie’s’ eyes, painting a vibrant description of the Australian stereotype. The use of tactile imagery in the quote “Sea air misted on her skin. The chill burned her scalp”
also makes use
s of paradoxical language by contrasting the chill and the burning sensation to emphasise the unpleasant effect the climate is having on her. This statement has the ability to transport the reader to other worlds, share experiences and landscapes in a way that evokes feelings of empathy
yes!
empathy = connection for the character as her
senses are influenced by the landscape that surrounds her.I don't think you need this This thought is continued in the next expression “Sentimental attachment to geography irritated her…that what she was sniffing for was the highball mix you imbibed every night of your riverside Perth childhood” showing her resentfulness of the consequences of romanticising the natural features of the land. Her Australian identity is depicted in the quote “Bugger it, she thought, why not”, using a high modality word and dialogue to effectually portray her unique personality. The ‘swear’ word is typical of the ‘Aussie’ stereotype and our laid back disposition, showing how the protagonist’s language choice has been influenced by the Australian bush. Therefore, visual language can be manipulated to provoke a response using pathos, ethos and logos. This text is very similar to Henry Lawson’s texts ‘The Drover’s Wife’ and ‘In a Dry Season’ because all texts portray comparable pictures of the way the Australian landscape influences the protagonists in these stories. The drover’s wife is a lonely woman because she is located in a very remote spot in the vast, empty bush of the outback. The narrator in ‘In a Dry Season’ describes the landscape as he is observing it through the window of a train. His pictoralisation is extremely pessimistic as he explains it as a place no one would want to visit, using a very sardonic sense of humour throughout the text. Likewise, the girl in Tim Winton’s narrative is against any emotions or attachment towards the landscape and appears to be too alone in her perspective of the story.
It is true
consider reqording this that both Henry Lawson and Tim Winton are effective in using simple but evocative imagery to bring to life the desolate nature of the Australian landscape and it has its effect on the main characters of their short stories. The narratives also explore how the characters are lonely and rarely express their fondness and attachment to the desert-like Australian environment. Through reading these texts, the audience is allowed to gain a greater understanding and insight into the experiences of Australians and the influence of their surroundings.
Do more on thee audience - the connections they make with the characters