Is using the words 'white privilege' too informal for a language analysis? If so, what are some substitutes?
Thanks
Unless you're quoting, this is probably outside the scope of the task. Hard to suggest substitutes without knowing the context, but is the author making some kind of point based on racial intolerance or something? Try to just use general vocabulary in that case, as anything as specific or pejorative as 'white privilege' is likely to not suit the analysis. That said, it's highly unlikely you'll get anything pertaining to such ideas on the exam as they try and steer away from controversial or potentially upsetting topics (i.e. the L.A. material isn't going to be about cancer patients or the road toll because that might unfairly impact students who've been affected by such things - that's why the material is usually on dull/safe stuff like gardens and e-books)
can anyone help me with these prompts for brooklyn? i've got some ideas, but im still struggling to create a few more/ get textual details from the novel to explain my ideas thank you (im thinking of going with the second prompt for my essay, though)
Brooklyn by Colm Tóibín
i. ‘Eilis’ sense of duty dictates all of her decisions.’ To what extent do you agree?
OR
ii. How does Tóibín explore the complex nature of love in Brooklyn?
I'll mainly focus on this second one because it's a structural prompt and therefore more difficult (for most students at least.) First step is to reword this into something you can build an essay around, e.g. a statement like 'Toibin portrays love as a complex emotion in
Brooklyn. Discuss.' Now ask yourself in what ways love is complex (remember that you can talk about both romantic love, like that between Eilis and Tony/Jim, as well as 'storge'/familial/filial love between Eilis and her family.) Then, think about
why love is complex (e.g. because it's unrequited? because of distance? because people don't love each other equally? etc.) The tricky part comes when you have to return to the 'how' part of this question and start considering the structural features Toibin employs in order to create these ideas.
Brooklyn (and most novels on the VCE lists, actually) aren't all that rife with structural nuance, but you could look at some of Eilis' narration, the symbolism of things like journeys and deaths, or particular quotes about her relationships.
In general, if you're coming across prompts that you feel you don't have enough textual evidence for, going back to the text or your notes can be a good revision exercise, especially when a prompt is foregrounding ideas you haven't thought of before. In this case, we're dealing with 'the complexity of love,' which probably wasn't a key theme you found on a first reading (because it's not that much of a key theme anyway
) but when you go back and look at certain passages
explicitly looking for examples of the complexity of love, it becomes much easier to find relevant scenes and quotes
(Image removed from quote.)
Umm... where did you get that picture of me? You think there's something funny about my trendy cardigans?? -.-
Wordy question: Is it possible to posit a question?
Yep; that's one of the very few things you
can 'posit.' To 'pose a question' would probably be the more conventional expression, but 'posit' is also acceptable in that case.
Dumb question but if I have to write a text response in an hour should I be aiming for 10 minutes per paragraph (including introduction and conclusion)? I'm talking about end-of-year year 12 exam. Unless I shouldn't be dedicating an hour to each of three essays.
For three body paragraphs, I'd probably go fifteen for each B.P. and then five for the intro and concl, giving you five minutes extra whenever you need it. But this is an end-of-year exam standard, and if you're not at that stage yet (and there's no real need to be because getting to grips with the content is more important) then don't stress. Also, this will depend on your own strengths and weaknesses (e.g. you might be someone who can churn out a first B.P. in five minutes flat, but struggles to write a third even in 25 minutes because you burn out too quickly, or you might be reeeeeally slow to start and need ten whole minutes of planning time, but after that, you can write consistently quickly for 50 minutes straight) and will vary from essay to essay too, as Alter said.
Better to write a great essay slowly, then get quicker, than to be writing average essays really quickly and then hoping you're essays will spontaneously get better
Three 8/10 essays is better than two 10/10s and a 3.
YEEEEESSS!!! I was struggling to put this succinctly to someone the other day who was asking why they couldn't just rely on one Area of Study to pull up their grades - the fact that you Year 12's have to write all three at the end of the year and that they're equally weighted should factor into your study somehow, so if you haven't touched Text Response in a couple of months, or if you've forgotten how to do a Language Analysis, or if you're like me and loathe writing Context pieces because you know you're bad at them - START THERE. Work on your weakest thing so that you can get everything up to a decent standard and you will be in a tangibly & mathematically better position than someone who's just a 'one trick pony' on the exam.