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Apink!

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Context feedback
« on: February 26, 2015, 08:59:13 am »
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Hello, I wrote a context piece (expository) on the prompt: Our fantasies can be more powerful than our reality

Could someone please give me feedback? Also, could you see if i have properly answered the prompt? (I lost marks for not relating to the prompt well in the past)

My throat was parched and I had a feverish longing of water. Water could help me. Yes, the cool liquid would balm my throat and my lips. Bring a soothing lull over my tensed up body. As I was on the verge of calmness, I see another girl grabbing her arm looking like she had been mistreated and I feel sick again. Needles. My worst nightmare. The thought of silver metal cutting through my flesh and staying there for seconds - which feels like hours make me convulse with apprehension. I pull the sleeves of my shirt up and wait for the torture to commence. I clench my eyes shut - self-consciously as there were people around me and think of something pleasant. Food, yes. I was hungry. I think of a table full of my favourite food. Dumplings, succulent dumplings. Thousands of them . Chocolate, cake, pudding all laid out before me while I dance around in delight...
 
Like the immune system, It is by the very nature of humans that we have an instinctive impulse to repel or deny the existence of different realities others hold, that may not be in accordance with our own. As our experiences may themselves be perceived as threatening,  we choose to shield ourselves from the tenets of  harsh, ongoing reality either through denial or ignorance often by creating a fantasy. While it is humanely impossible not to do this in varying extents, when our imagination overtakes the reality- when we do not even acknowledge the existence of  our ontological reality, too engrossed in our fantasies, is when serious implications can  arise. While imagination offer a hand sometimes for us to deal with our harsher truth, if we become too dependent on its kindly smiles, it often result in our destruction, therefore proving to be more powerful when out of control. However, as they are a by-product of the inability to deal with our life, it can be said that reality has a control on the fantasy's existence.  Sometimes is unclear whether which one is more "powerful" when an individual  achieves a balance of illusion and actuality.
 
The harsh lights of reality is often dulled through fantasies, however heavily relying on fantasies to cope  often  result in a life confined in darkness, a destruction of one's sense of reality. In Enduring Love by Ian McEwan, Jed suffers from De Clerambault's syndrome, an intense delusion that a person is in love with him. After a brief encounter with Joe Rose on a fatal balloon incident, Joe becomes Jed's subject of intense admiration and believes that he too, shares his feelings of love. In the appendix, Jed was described as "lonely child, prone to daydreaming".  His belief  that Joe and he shares a strong emotional love is a fantasy he created in order to hide from a harsh reality - a life void of love and happiness. However, this fantasy overpowers his sense of reality. Jed sees nothing being an obstacle in his way to make sure Joe falls in love with him also - not even murder. He twists and distorts his reality in order to make it fit into his fantasy. Joe's brief touching of the leaves are some sort of secret code expressing his love  producing a 'pattern that spelled a simple message' as well as flickering curtains.  A thoughtless gesture is 'so simple, so clever, so loving' secret signs that attests Joe's love towards him he cannot admit to. A heavy dependence on fantasies ultimately destroyed Jed- he is out of touch with reality and is mentally ill. Jed's reality was shattered under his fantasies.
 
Whilst imagination can have the ability to overcome our realities and result in our pitfalls, essentially without a reality a fantasy cannot exist. Going back to my needle opening, if I wasn't faced with a mind-numbing reality of having to get a needle plunged on my arm, would I have necessarily created the illusion that I was having a good time enjoying my food in order to cope? Really, a fantasy is the product of our failure to deal with complications of reality, and without a reality, illusions are non-existent and so reality is essentially more "powerful" than a fantasy. In Shark Net, Eric Cooke, the "night caller" kills innocent citizens and shatters the "innocence" of Perth in the 50s. He was brought up under a dysfunctional family and was always in need of attention love, especially considering his speech disability due to his harelip. His unpopularity among girls, and his desire for them - so much so that he would "almost faint" when he neared them closely, forces him to create an illusion that he was indeed the ladies' man.  His absence at home and Sally's suspicions of "infidelity rather than a crime" all attests that he has successfully promoted this illusory image of himself. The harsh reality that confronted him forced him to adopt a fantasy to substitute his reality, however without having such a circumstances, he would not have felt the need or the urge to have this imagination.
 
Sometimes  it is not clear whether fantasy or reality is more "powerful" as  evident in  successful individuals who  achieve a balance between the two so that their sanity is not jeopardised  In Shark Net, Robert Drewe confronts his realities - his girlfriend's Ruth's pregnancy and their future together. Unlike most teenagers, he carries out in as mature and responsible way as possible  in such a situation  assuring Ruth that they will "get married." He does not delude himself that such baby does not exist, or worse still that it is not his, and has no need to have an imaginative life  to deal with a stressful situation, a significant event that changed his place in the world "forever". Although he does confront his realities bravely, there are also times when fantasy is needed to keep him sane and functional.  Drewe feels that the stress he had caused on Dorothy - news of Ruth's pregnancy had been significant in her death, and although his mother hovers only briefly on the pages, his guilt is evident throughout the novel . While fantasy is employed to consciously or unconsciously guard his own reality, he does not abuse it so that he becomes entrapped in this illusion he had created for himself.  For some of us fantasy is not necessarily a stronger entity, only a temporary method of coping that leaves us with no long-lasting damage. In cases such as these,  it is doubtful to say one of the two - fantasy or reality is more "powerful".
 
Fantasy is akin to a child covering their eyes in order to believe that an object that induces fear is non-existent- all the while feeling the actuality of the object. When we truly become to believe this object is not a reality, it often result in a regrettable pitfall of our mentality. However, it is when we finally remove the hands from our eyes and face our harsher reality our maturation really begins. Fantasies can only overpower our reality once we lose control over it; it is only then it can cause detrimental harm to us and others around us. It is unavoidable that we all delude ourselves to varying degrees but done appropriately, illusions can benefit rather than destroy. Ultimately, fantasy is beneficial to us in a certain degree but it has a dark power to insidiously infiltrate our mentality, destroying us in the process.
 
 

It's my first attempt at writing expository so it's probably got a lot of things to work on... Please be honest!
Thank you
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literally lauren

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Re: Context feedback
« Reply #1 on: March 03, 2015, 07:08:58 pm »
+1
- intro is creative and engaging, but i'm not sure the transition is very logical. It's certainly based on the prompt, but it seems to be a very literal interpretation of 'fantasy,' which is slightly risky.

- the transition is the main thing though; since the first line of your first b.p. is about the immune system, I kind of assumed you were trying to carry the thread of a bodily metaphor over from the intro. If you're going to do a hybrid piece that jumps from an imaginative paragraph to an expository one, you need to make the connections obvious. At the moment, I don't know what I'm meant to conclude from your opening; I can guess, but as an assessor, I'm not allowed to give you credit for my guesswork. Not every paragraph has to have a mega-obvious 'Therefore we can conclude...' statement at the end, but you have to make sure the reader can follow your logic, and you're not leaving it up to them to draw inferences about your piece.
**UNLESS you're doing a fully creative/imaginative piece - then different rules apply.

- First b.p. sentence is really confusing. I think it's just the wording, since I get what you're trying to convey, but as an opening, it's very convoluted. Try to break up the sentence into smaller chunks and then focus on what you want each sentence to achieve.

- Exploration is good, but you put "powerful" in quotation marks without fully exploring what it means. The early paragraphs are excellent for this sort of clarification, and you've done a good job unpacking the ideas of fantasy and reality. Just ensure you aren't taking any key words for granted.

Quote
The harsh lights of reality is often dulled through fantasies...
- It might have been a type or two, but out of curiosity, do you think there's anything wrong with this sentence? If yes, then how would you fix it. If no, then it might be worth revisiting some grammar rules regarding pluralisation and Subject-Verb agreement.

- "Going back to my needle opening, if I wasn't faced with a mind-numbing reality of having to get a needle plunged on my arm..." This link is a little weak; you should be able to guide the reader's attention to previous ideas without having to say 'Going back to before when I said...' It breaks the flow of your essay, and it can be done a lot subtler.

- Fluency between paragraphs could be improved as well. At the moment it seems like three or four separate arguments with very little tying it all together. You've got some good ideas in the intro and concl. but don't let them do all the work. Body paragraphs should build upon one another so that your overall contention feels holistic, rather than something you tack on at the end.

- A few expression issues here and there, but in general your communication is very effective. You've clearly thought about the prompt, and you've approached it from a number of interesting directions.
I guess the most helpful thing I can say at this point is think of Context as a writing task, not an essay. No matter what style, or mould of styles you end up choosing, a Context piece is never just an essay, because they're assessing how you write almost as much as what you write. Quality of expression is still a factor in L.A. and T.R. essays, but here it's a much more critical part of the marking scheme.
Think about the construction of your piece - how it ebbs and flows. Perhaps even read some professional essays and articles to get a better sense of how writing is put together. It's definitely something that takes a few weeks, or even months to develop properly though, so just keep reading and writing until you find your own unique style for assessment :)