In regards to identity and belonging, does anyone know any people who have been in jail, promised to be good after a court hearing and then gotten back to crimes e.g murder after they are released? This is to talk about how often when people seem to have changed their identity it is just their public, displayed identity but not who they truly are on the inside 
This isn't exactly what you're looking for, but
Robert Durst (about whom the awesome TV documentary 'The Jinx' was made) might be worth considering as an example of someone whose external/ projected identity was designed to mislead and gain the trust of others.
There's also
Gary Gilmore who was a notorious repeat offender, and
Jack Abbott who committed some minor offences, seemingly turned his life around, but then went back to prison after committing an even worse crime.
I'd be careful about letting an argument hinge on these individuals, though. Especially because most of these^ people were found by psychiatrists to be mentally unstable in some way. It's still fine to use them to support your discussion; just make sure you're not saying 'here's someone whose identity was a facade. Therefore, people's identities are often facades.' Perhaps use these individual cases to launch into a discussion of recidivism or the justice system if you need another facet to explore.
Hey guys, i have a text response sac on next week and i was wondering how to approach structural prompts in terms of what ideas to base a paragraph on? like how do i do paragraphs for structural prompts?
Turn that structural prompt into a non-structural prompt, and go from there

Eg. 'How does the author show the dangers of rebelling against authority in the text?'
--> The author suggests that rebelling against authority is dangerous in the text. Discuss....then each paragraph is centred around a relevant thematic/ V&V concern.
Some prompts are a little less malleable, especially if they're mentioning specific devices, but try to see structural features as
evidence and not the basis for your ideas. So if you had something like
'How does the language of the text reveal the differences between men and women?'
...you would NOT want a paragraph breakdown like:
P1: here's how the metaphors reveal the differences between men and women
P2: here's how the epithets reveal the differences between men and women
P3: here's how the dialogue reveals the differences between men and women
Instead, use those features as supporting evidence within those body paragraphs and extrapolate ideas from them.
For example, if, in P1 above, I wanted to talk about how the metaphors in the text are used by male characters as a means of subtly reminding female characters that they are inferior, I would take
that idea as my focus.
i.e.
P1: Throughout the text, many of the female characters are left disenfranchised and subjugated by their male counterparts.
^with that topic sentence outlining a clear thematic focus, I could then use the metaphor stuff as the supporting evidence.
Hope that makes sense; let me know if there's a specific structural prompt that's confusing you and I can try and outline some strategies

I seem to always be using "positioning the reader to..........." and other repetetive conjuctive words (furthermore, etc) in my language analysis and need to vary things up a bit. Does anyone have some kind of resource with a bunch of different vocabulary that they can share with me?
Yarp. See attachment. It's by no means conclusive, so I'd highly recommend adding to it as you go so you can create your own repository of good words/ sentences/ sentence structures.