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December 02, 2025, 05:33:28 am

Author Topic: Free AOS Creative Writing Marking!  (Read 377479 times)

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marcorabbitolol

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Re: Free AOS Creative Writing Marking!
« Reply #810 on: August 31, 2017, 03:01:49 pm »
Hello, can I get some feedback on my creative!

out of interest is this creative from personal experience?.... i feel like something this personal couldn't be written in this way other than from experience.

12070

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Re: Free AOS Creative Writing Marking!
« Reply #811 on: September 01, 2017, 03:17:49 pm »
I really want to get my creative writing marked but I'm concerned that it will be plagiarised. It's not that I don't trust the AN community, it's more the 'free riders' (as they would be referred to in economics.) I remember reading something about their being measures to avoid plagiarism this year. If my narrative is being read for the 3rd time, it most likely won't score well even if they give 0 to the people who copied, I feel like my story will have lost its originality and I will consequently lose marks. Is there anything I can do to avoid this?

jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #812 on: September 01, 2017, 09:28:13 pm »
I really want to get my creative writing marked but I'm concerned that it will be plagiarised. It's not that I don't trust the AN community, it's more the 'free riders' (as they would be referred to in economics.) I remember reading something about their being measures to avoid plagiarism this year. If my narrative is being read for the 3rd time, it most likely won't score well even if they give 0 to the people who copied, I feel like my story will have lost its originality and I will consequently lose marks. Is there anything I can do to avoid this?

Hey! We can only mark creatives in this thread, which is publicly viewable - Think of it this way though, in the top left we've got a Notes tab with 15/15 exemplar responses. If someone is going to plagiarise, they'll go there, not to a thread where the creatives are posted specifically to get feedback and improve them. Like, no one should be cheating, but this is not the most efficient/effective place to cheat from anyway if that makes sense? :)

That's all the assurance I can offer unfortunately my friend - If you feel like posting we'd love to give you some feedback :)

pikachu975

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Re: Free AOS Creative Writing Marking!
« Reply #813 on: September 01, 2017, 10:03:43 pm »
Hey! We can only mark creatives in this thread, which is publicly viewable - Think of it this way though, in the top left we've got a Notes tab with 15/15 exemplar responses. If someone is going to plagiarise, they'll go there, not to a thread where the creatives are posted specifically to get feedback and improve them. Like, no one should be cheating, but this is not the most efficient/effective place to cheat from anyway if that makes sense? :)

That's all the assurance I can offer unfortunately my friend - If you feel like posting we'd love to give you some feedback :)

True no one should be cheating but I heard like even a lot of people from selective schools plagiarise too and get away with it in their school, but in HSC what if this year they decide to use bots to detect plagiarism? Bots can already read captchas so surely they can read writing but as you said, no one should be cheating but the fact of the matter is a lot of people cheat!

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jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #814 on: September 01, 2017, 10:38:14 pm »
True no one should be cheating but I heard like even a lot of people from selective schools plagiarise too and get away with it in their school, but in HSC what if this year they decide to use bots to detect plagiarism? Bots can already read captchas so surely they can read writing but as you said, no one should be cheating but the fact of the matter is a lot of people cheat!

I've heard stories of people being instructed to cheat by teachers, to rote learn a 15/15 essay and take that into the room. It's really sad, a side effect of the ATAR being stressed as so important that it is more important to score well than actually learn. A little sad. But that's a rant for another thread ;)

Incidentally, if NESA had infinite time and resources, they could catch everyone who copied an essay or creative off the internet easily. But optical character recognition is computationally and financially expensive, and that only catches verbatim/paraphrased plagiarism anyway. So there's only so much they can do. It's unlikely they'd cross reference in such a way because it would just take too long and cost too much money - They'd rely on the intuition of experienced markers to catch it. They are good at it - It is easy to tell when someone isn't using their own words :)

Plagiarism is just cheating yourself, for multiple reasons. You aren't equipping yourself for similar situations in the workforce (how can you work a 9:00-5:00 if you can't be bothered to write an essay lol), you are locking yourself into a perspective you don't understand meaning you can't adapt to the question, and you are leaving yourself open to get caught. And if you get caught (rightfully), you get zero and lose your HSC, and that's being generous. If you copy in the real world you get fined thousands and thousands of dollars, or get sent to jail, depending on what you steal. Do it at university, you lose your degree (even if they catch you AFTER you've graduated, which has happened before). These are real consequences you open yourself up for, to maybe get an extra mark in one less hour than it would take yourself? Can't think of anything more stupid myself ;D

12070

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Re: Free AOS Creative Writing Marking!
« Reply #815 on: September 02, 2017, 10:28:40 am »
Okay, here is my creative writing. The stimulus for this piece is a compass from the 2015 HSC. Also, it is really short (about 650 words) so if you think I can add anything that would enhance my piece, I would really appreciate it. I was thinking that maybe Leanne could rediscover an old skill that shows a joy or will to live at the park to make my story more versatile.


It was during Leanne’s 75th year that she first discovered age. Age unexpectedly became a buzzing fly, landing on each bone consecutively, draining her already deteriorating memories. Age whispered in Leanne’s ears, probing the complexity of every frown line on her forehead, not allowing her to forget about her pale hair. Maturity was a map, with an abundance of empty land, full of opportunities, desperately waiting to be explored; yet age was the compass. Age inexplicably decided on direction and would not unveil its implication.

It was during Leanne’s 78th year that Wilbur fell victim to age as the compass revealed itself in a south direction. At first, age trickled against his right hand, causing an uncontainable tremble. Next, it planted seeds in his spine. Wilbur’s right hand soon instinctively shared its tremble with the left. Age moved his balance from side to side, ensuring that stability would not correlate with his steps. Leanne watched it spread through him; a twitch in his finger, an involuntary grimace. Eventually, age froze Wilbur, holding him hostage, forcing his movements to be restricted to his sturdy wooden framed bed. The weeds along his spine had produced a vine, clinching his body. Finally, consuming Wilbur.

Leanne was beginning to discover the nature of age. In her mirror, she saw an old body, with an aging shadow. Her body would soon crumble and mould would grow through her organs. Once Wilbur was gone, she sat silently in her house, ignoring age’s constant taunting, creeping up behind her, waiting to pounce. It ensured her of a dwindling and descending decay, echoing in each corner of the cluttered, yet unfulfilled house, becoming more of a home to the many ancient photo frames (now void of meaning) than it was to Leanne.

Leanne spent her days lingering, pondering whether age’s power would inevitably overrule her own free will. She wandered through the park alongside her house and observed the benches of old men with faded jeans and plain shirts. She wondered if age was yet to visit them. Was it yet to crawl upon their doorsteps? Was it vigilantly keeping a watchful eye, planning its approach? Age quickly warned her of the perilous danger of the crowds and noise, compelling Leanne back to her empty house.

Leanne found it odd that even though age was indicative of maturity, it was forcing her back to her infancy. She was no longer able to tend for herself. She felt as though she was four years old again, with adults talking to her slowly and carefully, watching her eyes to show a glimpse of understanding or a reassuring nod of the head.

Leanne closed her eyes and felt her body finally giving in. Her throat became thick with dust and she stared age straight in the eyes. She smelt age’s fragrant, yet stale scent and experienced its constricting brace, a little too tight for comfort.

Age whispered memories that felt as though they were from a lifetime ago. Leanne reminisced blowing out candles, discovering the delicious taste of her mother’s carrot cake on her ninth birthday. At twenty-three, she discovered love through Wilbur, a man just a few years older than herself. At twenty-six, she discovered a lifelong relationship with Wilbur. She watched him nervously adjust his tie before lowering himself to one knee. At thirty-one, a doctor bleakly told her that the only babies she would ever name would be the ones she wrote stories about. At forty-nine, she ate her last slice of her mother’s luscious carrot cake. Year sixty-eight, she discovered the beginning of many years of pain as Wilbur’s shaky hand was not temporary. At seventy-five, she discovered the implications of age. At seventy-eight, she discovered the harsh reality that compasses eventually point south, no matter what the extent of north is.

Age took back.

Mathew587

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Re: Free AOS Creative Writing Marking!
« Reply #816 on: September 02, 2017, 05:38:49 pm »
Hi :) Can someone please review my creative?

Spoiler
Creative v3
David didn’t want to be here. He felt like Joe Hockey at an anti-budget protest, misplaced into an ideology which he couldn't accept.
“Honey, I need your help. I know you don’t understand these people but they need our help and so do I. There’s no way I’ll be able to carry the soup.” said Angie, his girlfriend and the leader of the soup kitchen.
 “Why didn’t you just ask someone else? You know very well that these people are fake. They’re not refugees. It’s their fault that a war happened in their country and all they bring to our shore is trouble.” David spat back. “They don’t deserve to be here.”
Angie looked deep into David’s eyes and he knew that he had hurt her.
“What about me? I’m the daughter of refugees. Don’t I deserve to be here?” she whispered quietly before picking up 3 packets of whole meal bread and walking to the hall.
“But Angie, you’re different...” he proclaimed as he tried to mend a broken situation but he knew he had gone to her. Lately his work had been getting to him and had deeply impacted his relationship. The only reason why he had agreed to come was to attempt to fix their broken relationship and so far he hadn’t done a good job of that.
---
He ladled into a plastic bowl a rich stew of leeks, potatoes and carrots before handing it to the old lady in front of him. It was a temperate and mild day but the old woman donned several layers of thick, cheap and unbranded clothing, hiding her decaying and dying soul within.
“Thank you very much son!” she proclaimed before scuttling to Angie who placed a piece of Lebanese bread before starting small talk with her.
In many ways, they were polar opposites. She was notably more kind and compassionate whereas David was known to be much more moody.
He looked around with a fresh set of eyes. Many huddled around the seats and ate quietly whispering amongst themselves. Others were notably raucous and noisier. But they all seemed to appreciate the opportunity given to them. They lined neatly behind each other, the line extending through the hall and out the door, like a small ant march.
“Are these people really good?” David thought “Or are they no better than ants that come at night and eat out of pantry, leaving only a trail of destruction behind?”
Suddenly, he looked around to the raucous music which bad escalated to a scuffle near the end of the line.
He saw Angie rushing off and quietly followed her.
---
Fists flew violently as five men set upon each other. Apparently, they seemed to be fighting over their location in the line and the argument had progressed to a scuffle.
“Get out… I was here first”, yelled a man only to receive a solid thus to the left of his face before returning it to the man.
“Oi! Calm down!” David yelled as he tried to calm the situation. Two other men who worked in the soup kitchen assisted David by trying to calm the situation.
After a while, all that remained were bloodied faces and a broken arm. However from amongst the growing crowd, David heard a cry from a girl.
“Hey what happened? Where’s your mom?” David asked out of concern. Angie appeared and attempted to console the girl who had fallen.
“I don’t have a mum. I don’t know where my dad is.” she cried incessantly so much that she gasped after each word.
David was taken back. No mother? For such a young girl? What horrors must she have faced to be in such a situation?
He looked at the girl. She was young but had the eyed seen one those who had seen a lot.
“Leila, there you are!” shouted a man who came running.
“Thank you so much Angie. I don’t know what I would have done without her. I thought I lost her too.” the man said as he began to sob. Leila clung tightly to her father’s leg and began to calm down.
He looked at Angie who was smiling and saw David looking at her. She smiled back, knowing that he understood why she worked here. She worked for the children in this situation. She used to be in a similar situation to them. And she had felt a responsibility to help them. These people deserved a second chance and that’s all that mattered.
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elysepopplewell

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Re: Free AOS Creative Writing Marking!
« Reply #817 on: September 03, 2017, 10:48:03 am »
Okay, here is my creative writing. The stimulus for this piece is a compass from the 2015 HSC. Also, it is really short (about 650 words) so if you think I can add anything that would enhance my piece, I would really appreciate it. I was thinking that maybe Leanne could rediscover an old skill that shows a joy or will to live at the park to make my story more versatile.


Hey 12070, I'll have a look at this :) I remember the compass too well, possibly it's the stimulus I chose for my HSC, but I can't remember.

Spoiler

It was during Leanne’s 75th year that she first discovered age. Age unexpectedly became a buzzing fly, landing on each bone consecutively, draining her already deteriorating memories. I love the first sentence - it's unique, a little peculiar, I like it. The second sentence is nice, but I think it can be better.
 As much as I like the imagery of a bone draining one at a time - I'm not sure why a fly is doing it? A fly doesn't drain, really. And then when I think back to the first part about age unexpectedly becoming a fly, I'm confused again. I hope what I'm saying makes sense to you. It's only because it's after such
a great sentence, so early on in the piece, that I want to make it smoother.
Age whispered in Leanne’s ears, probing the complexity of every frown line on her forehead, not allowing her to forget about her pale hair. Maturity was a map, with an abundance of empty land, full of opportunities, desperately waiting to be explored; yet age was the compass. Age inexplicably decided on direction and would not unveil its implication. The rest of this paragraph -
 I LIVE FOR. The integration of the stimulus is SEAMLESS. The metaphor here is really strong.


It was during Leanne’s 78th year that Wilbur fell victim to age as the compass revealed itself in a south direction. At first, age trickled against his right hand, causing an uncontainable tremble. Next, it planted seeds in his spine. Wilbur’s right hand soon instinctively shared its tremble with the left. Age moved his balance from side to side, ensuring that stability would not correlate with his steps. Leanne watched it spread through him; a twitch in his finger, an involuntary grimace. Eventually, age froze Wilbur, holding him hostage, forcing his movements to be restricted to his sturdy wooden framed bed. The weeds along his spine had produced a vine, clinching his body. Finally, consuming Wilbur.

Leanne was beginning to discover the nature of age. In her mirror, she saw an old body, with an aging shadow. Her body would soon crumble and mould would grow through her organs. Once Wilbur was gone, she sat silently in her house, ignoring age’s constant taunting, creeping up behind her, waiting to pounce. It ensured her of a dwindling and descending decay, echoing in each corner of the cluttered, yet unfulfilled house, becoming more of a home to the many ancient photo frames (now void of meaning) than it was to Leanne. I'm feeling a real personification of Age when I read this, which is great. I do wonder - should you capitalise the A in age? Does that allow age to have it's own persona? At the moment I feel like age is sitting pretty but is demanding a little more. What do you think? Also, the part in the brackets doesn't really do anything for me. I know why you've put it there, but when I take it out I make this assumption anyway. I suggest taking it out because it jars, and also doesn't add to the work, but instead adds words.

Leanne spent her days lingering, pondering whether age’s power would inevitably overrule her own free will. She wandered through the park alongside her house and observed the benches of old men with faded jeans and plain shirts. She wondered if age was yet to visit them. Was it yet to crawl upon their doorsteps? Was it vigilantly keeping a watchful eye, planning its approach? Age quickly warned her of the perilous danger of the crowds and noise, compelling Leanne back to her empty house.

Leanne found it odd that even though age was indicative of maturity, it was forcing her back to her infancy. Love this! She was no longer able to tend for herself. She felt as though she was four years old again, with adults talking to her slowly and carefully, watching her eyes to show a glimpse of understanding or a reassuring nod of the head.

Leanne closed her eyes and felt her body finally giving in. Her throat became thick with dust and she stared age straight in the eyes. She smelt age’s fragrant, yet stale scent and experienced its constricting brace, a little too tight for comfort.

Age whispered memories that felt as though they were from a lifetime ago. Leanne reminisced blowing out candles, discovering the delicious taste of her mother’s carrot cake on her ninth birthday. At twenty-three, she discovered love through Wilbur, a man just a few years older than herself. At twenty-six, she discovered a lifelong relationship with Wilbur. She watched him nervously adjust his tie before lowering himself to one knee. At thirty-one, a doctor bleakly told her that the only babies she would ever name would be the ones she wrote stories about. At forty-nine, she ate her last slice of her mother’s luscious carrot cake. Year sixty-eight, she discovered the beginning of many years of pain as Wilbur’s shaky hand was not temporary. At seventy-five, she discovered the implications of age. At seventy-eight, she discovered the harsh reality that compasses eventually point south, no matter what the extent of north is. No matter what the extent of north is...I'm not sure about this? I don't know exactly what you're trying to say. No matter how much better the Northern climate is? Are you trying to say the North is better, but the pull to the South is strongest?

Age took back.

I like this story. It maps a lot of important life moments in a way that isn't too jumpy at all - I'm following it through well. What I'd like to see further developed is the persona of "age" - age is personified in the way it crawls and lingers, but I'd like an address to its attitude - is age forgiving, or relentless? Or is age indiscriminate, or well selected? I know it's not much - but something to add to this could be really powerful. It's almost like introducing a new character to the story. I'm thinking towards the end that maybe the protagonist could have this revelation that age is a force to be reckoned with.

To address the thing you mentioned outside of the story, about maybe giving the protagonist a joy. Maybe in this last paragraph we could do something like this? So the last paragraph is full of melancholy - with the recording of all of the "lasts" of things - what if there is the protagonist placidly fighting back here?

"At forty-nine, she ate her last slice of her mother's luscious carrot cake. At fifty, she learned to bake. Year sixty-eight, she discovered the beginning of many years of pain as Wilbur's shaky hand was not temporary. In year sixty-nine, she learned new strength." Something like this to say that despite Age being this untamable, indiscriminate cursed blessing of life, she never ever stopped learning - and paradoxically, she couldn't have done that without age. This might be putting my own spin on it too much, it's just the way I see this working best from my own perspective.

What do you think? :)
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Lollzza

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Re: Free AOS Creative Writing Marking!
« Reply #818 on: September 03, 2017, 01:03:34 pm »
Hi, I'm in year 11 and I'm wondering if I'm allowed to post a creative here for marking? I understand priority being given to HSC students (obvs) but would it be okay if I dropped one in preparation for my preliminaries? Thanks for having this service either way!

Also is it still 25 posts for a piece of work or not? I'm rather confused since I read it was for trials but the rules say the number is going to be increased? is this a permanent thing now?
« Last Edit: September 03, 2017, 01:54:56 pm by Lollzza »
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Re: Free AOS Creative Writing Marking!
« Reply #819 on: September 03, 2017, 04:34:41 pm »
Hi, I'm in year 11 and I'm wondering if I'm allowed to post a creative here for marking? I understand priority being given to HSC students (obvs) but would it be okay if I dropped one in preparation for my preliminaries? Thanks for having this service either way!

Also is it still 25 posts for a piece of work or not? I'm rather confused since I read it was for trials but the rules say the number is going to be increased? is this a permanent thing now?
Yep I believe it is 25 posts now, keep posting around and someone will be happy to mark it for you :)

jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #820 on: September 03, 2017, 04:42:09 pm »
Hi, I'm in year 11 and I'm wondering if I'm allowed to post a creative here for marking? I understand priority being given to HSC students (obvs) but would it be okay if I dropped one in preparation for my preliminaries? Thanks for having this service either way!

As above, it has moved up to 25 posts now - But you can definitely post a Prelim Creative here once you've met the post count! ;D

elysepopplewell

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Re: Free AOS Creative Writing Marking!
« Reply #821 on: September 03, 2017, 08:57:47 pm »
Hi :) Can someone please review my creative?

Hey there! I really apologise for having let this slip through. Not on my a-game, but hopefully this is handy for you! :)

Spoiler
Creative v3
David didn’t want to be here. He felt like Joe Hockey at an anti-budget protest, misplaced into an ideology which he couldn't accept. hahahahaha
“Honey, I need your help. I know you don’t understand these people but they need our help and so do I. There’s no way I’ll be able to carry the soup.” said Angie, his girlfriend and the leader of the soup kitchen.
They need our help and so do I"...is this supposed to be, "they need your help and so do I?"

 “Why didn’t you just ask someone else? You know very well that these people are fake. They’re not refugees. It’s their fault that a war happened in their country and all they bring to our shore is trouble.” David spat back. “They don’t deserve to be here.”
Angie looked deep into David’s eyes and he knew that he had hurt her.
“What about me? I’m the daughter of refugees. Don’t I deserve to be here?” she whispered quietly before picking up 3 packets of whole meal bread and walking to the hall.
“But Angie, you’re different...” he proclaimed as he tried to mend a broken situation but he knew he had gone to her. "He knew he had gone to her." Doesn't sound like it makes sense to me. Lately his work had been getting to him and had deeply impacted his relationship. The only reason why he had agreed to come was to attempt to fix their broken relationship and so far he hadn’t done a good job of that.
---
He ladled into a plastic bowl a rich stew of leeks, potatoes and carrots before handing it to the old lady in front of him. It was a temperate and mild day but the old woman donned several layers of thick, cheap and unbranded clothing, hiding her decaying and dying soul within.
“Thank you very much son!” she proclaimed before scuttling to Angie who placed a piece of Lebanese bread before starting small talk with her. After dialogue, this is a very long instruction of action. I'd consider breaking this up so it can all be processed. It just changes the balance of the sentence, and the dialogue no longer is prominent because the end is so heavy. Also, placed a piece of Lebanese bread before... placed it where? on what?
In many ways, they were polar opposites. She was notably more kind and compassionate whereas David was known to be much more moody.
He looked around with a fresh set of eyes. Many huddled around the seats and ate quietly whispering amongst themselves. Others were notably raucous and noisier. But they all seemed to appreciate the opportunity given to them. They lined neatly behind each other, the line extending through the hall and out the door, like a small ant march.
“Are these people really good?” David thought “Or are they no better than ants that come at night and eat out of pantry, leaving only a trail of destruction behind?”
Suddenly, he looked around to the raucous music which bad had* escalated to a scuffle near the end of the line.
He saw Angie rushing off and quietly followed her.
---
Fists flew violently as five men set upon each other. Apparently, they seemed Choose apparently, or seemed. Apparently and seemed together doesn't make sense unless it is of the view of someone else that something seemed something. "Apparently it seemed to me that..." doesn't work, but "apparently,
 it seemed to Jamie like..."
to be fighting over their location in the line and the argument had progressed to a scuffle.
“Get out… I was here first”, yelled a man only to receive a solid thus thud*? to the left of his face before returning it to the man. I like this: returning it to the man.
“Oi! Calm down!” David yelled as he tried to calm the situation. Two other men who worked in the soup kitchen assisted David by trying to calm the situation.
After a while, all that remained were bloodied faces and a broken arm. However from amongst the growing crowd, David heard a cry from a girl.
“Hey what happened? Where’s your mom?” David asked out of concern. Angie appeared and attempted to console the girl who had fallen.
“I don’t have a mum. I don’t know where my dad is.” she cried incessantly so much that she gasped after each word.
David was taken back. No mother? For such a young girl? What horrors must she have faced to be in such a situation?
He looked at the girl. She was young but had the eyed seen one those who had seen a lot.
“Leila, there you are!” shouted a man who came running.
“Thank you so much Angie. I don’t know what I would have done without her. I thought I lost her too.” the man said as he began to sob. Leila clung tightly to her father’s leg and began to calm down.
He looked at Angie who was smiling and saw David looking at her. She smiled back, knowing that he understood why she worked here. She worked for the children in this situation. She used to be in a similar situation to them. And she had felt a responsibility to help them. These people deserved a second chance and that’s all that mattered.

There are a few technical things in there that I think I've adjusted throughout so they should be good to go with adjustments :) The discovery is there and the discovery is strong, which is great. I can see it in a lot of ways. There's a few little things that leave me, a skeptical reader, not buying it 100%. For example, the part where he says something so insensitive about refugees at the beginning. He says they aren't real refugees, and the woman who is of the parents of a real refugee is offended - when if anything, he was saying that these people are not of the same deserving calibre as her parents. And she spells it back to him obviously. I think instead, he might say something like, "You go through a hard time and just show up and get five star treatment? What makes them deserve that?" Then maybe the woman's reaction would be more justified and the entire thing less spelled out. The other part for me is that David seems to be incredibly naive - he's surprised a refugee doesn't have a mum? I like the humour at the start about Morrison, and maybe you could use this as a lead in for David's own ideologies. Perhaps we could focus more on him refusing to give in to humanity, and only wants to focus on the economics of it all, but in the end he can't bear to ignore the human empathy that this situation clearly evokes? I think the piece of the plot that's missing is that layer of motive for David in his beliefs - what makes him this way?

I hope this doesn't sound too harsh - and I'd be really happy to hear back from you what you think. The story is one that I would give a low band 5 to, I think. so it's not by any means crappy, I just think to elevate it there could be that extra layer, plus an extra layer of believability that will come with it - so I,
 as a reader, can have empathy for David's discovery. :)
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Re: Free AOS Creative Writing Marking!
« Reply #822 on: September 03, 2017, 10:54:06 pm »
Finished before the end of the week, as promised (although I was really cutting it close not going to lie)

It's actually so nerve-wracking to submit something that everyone can see. I'm not a very good writer (I'm a creative thinker, but find it hard to put stuff into words) and am much better at essays. Constructive criticism is always good :-) and this is totally unedited.

Questions/statements about this:
1. Bit of a heads up - I don’t have enough to make this piece a set of journal entries, so it was formed into a narrative.
2. How do I make this flow better? I reckon everything is very inconsistent and it stops and starts in places.
3. As this is a personal discovery, I feel like I’m just saying what happened as it happened, how do I do show, not tell? I don't think I've made the discovery very obvious - how do I fix that?
4. Sometimes I change perspective, i.e. first to second person. I do this because that’s my thought process on how I would tell someone how something happens. How do I stop doing this?
5. If I resubmit this, is that another 25 posts? (and how many other things can I submit? I think it's 5 if I'm counting correctly, because I've been hoarding all my posts for stuff to be marked closer to the hsc)

story here
Australia.

Year 10 Geography taught me that urban decline is the deterioration of the inner city, most of the time, seen in buildings.

Year 10 Geography had a compulsory excursion (something I definitely didn’t look foward to), which required the year to look at the local area, and examine places that had urban decline.

I don’t know what I was expecting - ruins? Buildings that were half up, half down, like the Parthenon, or even the Colosseum? What I did see, however, were buildings that were still standing. Across the back of these buildings was black, slowly creeping around the edges of some buildings, showing evidence of some sort of decay. Brick buildings were not exactly red, but washed out, as a result of many years of use.

Urban decline? Nothing but a concept.

*****

Indonesia.

Stepping off the plane, I could feel the density of the air, constantly thickening, another layer on top of my skin, constantly thickening as I walked through the airport. Not even the numerous air conditioners could remove the sticky feeling from my skin.

Outside, the gravelly sky blanketed the almost non-existent blue sky. The dreariness of the outside didn’t seem to worry anyone, with yells coming left, right and centre, from people wishing to help with placing luggage in cars.

Smarttraveller.com.au told me to ‘travel with caution’ in this country, and to appeal to surroundings to be safe. Was there reason to let these people help? Nah, my subconscious said, who knows they’d want to steal your stuff?

I was frustrated enough with the weather, I was tired, hungry, and just wanted to go home. My excitement had faded.

*****

Driving was a different experience. Any concept of ‘urban decline’ was far from what could be seen in Australia.  Metal squares, arranged into something far from stable, was considered a house. Fragile wooden structures, covered by flimsy plastic, which could easily fly away? That could be a restaurant. Everything contradicted Australia, and I didn’t like it.

Bendungan Jago was a walk through a mismatched puzzle. Small houses, big houses. Shops. Balconies without a barrier or ledge. Cars were scarce, and instead, the street was filled with motorcycles, wedging between small gaps. Although I’d been to the house before, it was still a sight to see. It towered over me, looming over the street, balconies opening far and wide. It was painted the colour of a washed out sunset, which contradicted the rest of the street as the only uniform building which had a solid structure, unlike the rest.

Running up and down the stairs, standing on the balcony, looking out, the inconsistency of the city revealed itself to me, backed by the grainy, blended colours of pink-ish orange, which didn’t shimmer, but was just dull. By this time, fatigue had caught up to me, and all I wanted to do was sleep and be alone.

The main difference between Indonesia and Australia was that I was surrounded by noise, everyday. There were suddenly 5 more people in a household, which led to a whole lot of noise everywhere and it was just so annoying I wanted to get out.

However, getting out in Indonesia called for approximately 251 shopping trips in 2 weeks, where these shopping centres had been meticulously manufactured to separate itself from the rest of the city. There was nothing to do, except for roam around shopping centres, heightening my intense boredom which just wouldn’t go away.

*****

People in Indonesia don’t have what one would call a ‘regular shower.’ Assuming there’s (clean) running water, that goes into a huge container thing, then this water goes into a smaller bucket, which you then pour over yourself. At best, this method of ‘showering’ was inconvenient, but there was an issue with this - you had to have the water keep running so the bucket didn’t get too empty, because waiting for the bucket to refill took time and effort.

Not going to lie, this method of showering was so unusual at first, but gradually turned into something fun - except for having to wait for the water to refill.

The one day, the water stopped running, and everyone had to use a substitute tap, where the water took so bloody long to get out. What I didn’t know was here, water was sourced from the ground, and passing of a couple of decades could mean that there would be a total shortage of water. There was the possibility of the ground shrinking as the water was slowly taken out of the ground, but the scientific specifics were lost on me by that point.

*****

Tourist spots were carefully groomed. I can only remember two places: Lembang and Monas.

Lembang was a small town about 2-3 hours from Jakarta. I had never been outside of Jakarta, except for a couple of places on another island, within my many trips to Indonesia. This was very exciting, but upon arrival at the accommodation, any bright, positive thoughts were out the window.

It looked, felt, and smelt like absolute crap. Nothing was clean, there was barely any electricity, leaking taps… the list went on.

For the huge family that had come, it was a downer, with most of us having to sleep in the living room to avoid the scattered mould in one bedroom. Despite the disappointing situation, they were all happily walking around, making the best of what was there. I could see the complaints being held back, but at that time, being with each other was more important.

Monas, on the other hand, was a small tower, with a couple of hectares for a tiny tower in the middle, flowers gardens, and displays of traditional art. The inside had several levels, one of which was a dioramic timeline, showing the history of Indonesia. Another level showed the various stages of achieving independence.

Independence could be seen through the two sections of Jakarta, viewed from level 2 of the outside of Monas. Two clearly different sections of the city. The foreground showed newly-built high rise buildings, neatly arranged, with fresh trees between gaps in separating each building. There was a fine line between this set of buildings, and the background, where various stages of half collapsed buildings blended into each other, shaded by the dreary clouds, as they blended into the horizon.

If urban decline wasn’t evident then, it was now. The equator, the invisible line, clearly separated two sections of the city, and a gasp of ‘wow, look at the view’ was not in admiration, but bitterness, where there could be nothing less enjoyable than looking out, only to see gradual dilapidation of a city.
« Last Edit: September 03, 2017, 11:00:17 pm by fantasticbeasts3 »
HSC 2017: English (Standard) // Mathematics // Modern History // Legal Studies // Business Studies
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kaut2061

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Re: Free AOS Creative Writing Marking!
« Reply #823 on: September 03, 2017, 11:06:05 pm »
Im new to this site and I have no idea how this works, but I put my essay attachment below, hoping that someone can mark it and send me feed back, my trials mark for english were so disappointing and my teacher hasn't been marking my essays well so I'm in desperate need.

fantasticbeasts3

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Re: Free AOS Creative Writing Marking!
« Reply #824 on: September 03, 2017, 11:17:24 pm »
Im new to this site and I have no idea how this works, but I put my essay attachment below, hoping that someone can mark it and send me feed back, my trials mark for english were so disappointing and my teacher hasn't been marking my essays well so I'm in desperate need.

hi, i don't want to rain on your parade, but you need to have 25 posts before having something marked! i know it seems like a lot, but your posts build up quickly, and before you know it, you'll have an essay marked! maybe someone else will look at it for you - i would, but i'm no good at english myself.
HSC 2017: English (Standard) // Mathematics // Modern History // Legal Studies // Business Studies
2018-2022: B International Studies/B Media (PR & Advertising) @ UNSW