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natalie.shaw

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I FOR ISOBEL HELP ME
« on: March 03, 2016, 04:55:41 pm »
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Hi guys,
So i actually struggle at English so much and we have a sac in 2 weeks for i for isobel.

Basically we are doing some questions on the chapters and I need help with I for Isobel.


CHAPTER 2:
In what way does Witting shape Isobel's story about Robert, Gerald and Antonia so that we have some insight into the child she is, and the writer she is to become?


Pls help!
2015: legal studies
2016: english, further maths, business management, psychology

literally lauren

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Re: I FOR ISOBEL HELP ME
« Reply #1 on: March 03, 2016, 06:44:49 pm »
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Hi guys,
So i actually struggle at English so much and we have a sac in 2 weeks for i for isobel.

Basically we are doing some questions on the chapters and I need help with I for Isobel.


CHAPTER 2:
In what way does Witting shape Isobel's story about Robert, Gerald and Antonia so that we have some insight into the child she is, and the writer she is to become?


Pls help!
Is there anything in particular in this question that you find challenging? Perhaps go back to the chapter and reread it if you're unsure of what it's referring to, and then fill in the following:

1. Isobel has this story about Robert, Gerald, and Antonia.
2. Through this, Witting shows _________________(?)
3. Therefore, readers get a glimpse of Isobel's present mind and future career.

Basically, what details in that section tell us things about Isobel as a person? Think in particular about the revelation she has after taking a break from the story:

The story stopped running; she was lying in her narrow bed in the dark, confronted by a sobering thought: Robert and Angelo were lies. It was all lies: the travelling theatre, Gerald and Antonia, the Maestro and Uncle Max, the terrible castle, all lies.

She wasn't going to give it up, either. She was sure of that at once. There was no living without the moments.


^What does this tell us about who Isobel is and what she values? What are her opinions about fiction, and why is this important to her? What does this have to do with her future as a writer?

And then you can look at the detail of the story-within-the-story. That excerpt about Robert and Angelo is something that Witting constructs as part of her narrative, so it's kind of like she's got this mini-story that she's using to tell us something about the main plot.

You know how characters in teen movies are often reading or studying books that are relevant to what they experience in the film (think: Easy A, 10 Things I Hate About You, etc.) It's kind of like that, only Witting is making up the mini-story instead of using a pre-existing one, meaning that all the little plot details and important language is stuff she chooses.

Perhaps you could look into how the characters of Robert and Gerald are so apprehensive and uncertain, which mirrors Isobel's own emotions to some extent?

Otherwise, let me know what you're struggling with and hopefully I can give you some more specific advice :)

natalie.shaw

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Re: I FOR ISOBEL HELP ME
« Reply #2 on: March 04, 2016, 07:14:44 pm »
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Is there anything in particular in this question that you find challenging? Perhaps go back to the chapter and reread it if you're unsure of what it's referring to, and then fill in the following:

1. Isobel has this story about Robert, Gerald, and Antonia.
2. Through this, Witting shows _________________(?)
3. Therefore, readers get a glimpse of Isobel's present mind and future career.

Basically, what details in that section tell us things about Isobel as a person? Think in particular about the revelation she has after taking a break from the story:

The story stopped running; she was lying in her narrow bed in the dark, confronted by a sobering thought: Robert and Angelo were lies. It was all lies: the travelling theatre, Gerald and Antonia, the Maestro and Uncle Max, the terrible castle, all lies.

She wasn't going to give it up, either. She was sure of that at once. There was no living without the moments.


^What does this tell us about who Isobel is and what she values? What are her opinions about fiction, and why is this important to her? What does this have to do with her future as a writer?

And then you can look at the detail of the story-within-the-story. That excerpt about Robert and Angelo is something that Witting constructs as part of her narrative, so it's kind of like she's got this mini-story that she's using to tell us something about the main plot.

You know how characters in teen movies are often reading or studying books that are relevant to what they experience in the film (think: Easy A, 10 Things I Hate About You, etc.) It's kind of like that, only Witting is making up the mini-story instead of using a pre-existing one, meaning that all the little plot details and important language is stuff she chooses.

Perhaps you could look into how the characters of Robert and Gerald are so apprehensive and uncertain, which mirrors Isobel's own emotions to some extent?

Otherwise, let me know what you're struggling with and hopefully I can give you some more specific advice :)



Okay so you seem like a smart english person, which is the complete opposite of me.

Do you have any english essay writing tips? I can never get started or make things flow or even really answer the prompt given - i just kind of write.

We have a SAC on i for isobel in 2 weeks and she wants us to write a few practice essays (about one every 2-3 days) to try and cover all the possible themes that can be questions in an exam or sac etc. but i cannot even write. I actually suck and cannot do english to save myself.

Any advice would be great!
2015: legal studies
2016: english, further maths, business management, psychology

literally lauren

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Re: I FOR ISOBEL HELP ME
« Reply #3 on: March 05, 2016, 07:54:34 pm »
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Do you have any english essay writing tips? I can never get started or make things flow or even really answer the prompt given - i just kind of write.
Not sure if you've stumbled across these yet, but there's a mega-thread of resources from high-scoring students that's got a heap of good advice. You can also check out the first page of our Q and A thread which contains links to other frequently asked questions and concerns like how to 'answer' and dissect prompts, or how to use linking sentences to create flow.

To address your concerns: (i.e. getting started (1), achieving flow (2) and addressing the prompt (3))
1. You might be someone for whom planning is a necessity. It's kind of optional at a Year 12 level, though some teacher's say it's mandatory, but if you just find yourself sitting there like... 'how is an essay even supposed to begin' or start writing and think 'idfk what I'm even trying to say,' then take a step back, and write up an essay plan. Something like:

-------------------------------------
Prompt: I for Isobel demonstrates that while honesty is essential, it is not always enough to sustain successful relationships. Discuss.
Mostly agree/Mostly disagree: Mostly agree
Challenge: honesty still helps sustain relationships, even if it's not totally essential
Contention: Although honesty can be a valuable asset in the characters' lives, ultimately I for Isobel suggests that it is not the most essential factor in maintaining strong relationships.

Paragraph 1: focus on how the different characters value honesty
Topic Sentence: Throughout the novel, Witting foregrounds characters' differing ideas of what honesty is and why it is important.
Evidence: - Isobel's love of fiction and how she sometimes sees it as a dishonest kind of storytelling. - the lies that Isobel is told and how they warp her mindset. - how Isobel struggles to define the limits of truth and lies. - how Isobel's honest relationships are better and more conducive to her positive self-image, etc.
Concluding Sentence: Thus, the novel implies that although honesty can be complicated, it is still worthwhile to pursue honest relationships for one's own good.

Paragraph 2 + 3 (+ 4): ^as above^

Conclusion: Ultimately, Witting shows that... [revisit contention; talk about the text as a whole]
-------------------------------------

So before you start writing anything, begin by filling out something similar to the above just to put your thoughts into words and get some stuff down on the page. You don't have to do this during timed assessment tasks since it's somewhat time consuming, but it'd be a great preparatory exercise to aid your thinking.

2. I don't know if this is something I once said, or whether I've stolen it from a book, but flow needs to happen on two levels: FLOW OF IDEAS and FLOW OF SENTENCES. For our purposes, think of the flow of ideas as like being a bunch of floorboards all aligned neatly, and the flow of sentences as being a nice rug that we put over the top.

i. If neither your ideas nor your sentences flow, then you'll get something like:
Isobel reads lots of books. She doesn't get along with her mother
...which is obviously not good. The floorboards are on opposite sides of the room, and the rug is upside down on the ceiling - this is just bad writing :P

ii. If your sentences flow, but not your ideas, then you'll get something like:
Isobel reads lots of books. Through this, Witting reveals that she doesn't get along with her mother
...which might sound better, but it's kind of like we've got two floorboards that are a metre apart, and we've thrown a rug over the gap between them. Sure, it might look like there's a solid surface between them, but in reality, there's no underlying connection there!

iii. If your ideas flow, but not your sentences, then you'll get something like:
Isobel reads a lot of books. Isobel's obsession with fiction impairs her real relationships
...which might be okay, but the assessors are still going to notice that the sentences don't connect. This is like having the floorboards laid out, but no rug over the top of them - we don't really want to walk on cold, splinter-y wood - we want that rug to make the process of getting from A to B easier, and so that sentence-level flow is necessary.

iv. finally, if both your ideas and sentences flow, you'll get:
Isobel reads a lot of books. This obsession with fiction impairs her real relationships, such as the one she has with her mother.
Aaaahhh, that's better!!

The floorboards connect, and the rug sits on top, making the whole thing very appealing and easy to understand. That's the kind of level you want to reach.

So what you need to do is work out where you're going wrong with your flow - is it on an idea-level, or a sentence-level?

3. See here and let me know if you have any questions after reading that :)

We have a SAC on i for isobel in 2 weeks and she wants us to write a few practice essays (about one every 2-3 days) to try and cover all the possible themes that can be questions in an exam or sac etc. but i cannot even write. I actually suck and cannot do english to save myself.
If you can't write essays, don't write essays.
Often it's not the most efficient use of your time, and clearly you're not learning anything from the experience. You wouldn't sit a 2 hour maths exam before you knew the formulas, right? You wouldn't attempt a 2 hour short answer/extended response humanities exam if you didn't even have a grasp on the basic definitions? The same applies here - learn the basics by practicing stuff on a small scale, and then combine those ingredients together when you feel ready.

Unfortunately you may have to rush this process a bit given your SAC is fairly soon, but nevertheless, this experience should help you better prepare for future English assessment.

This is definitely something I've said before, but try and work out whether you're having trouble with what to say or how to say it. If you don't know what to say, then you need to go back to the text and back to your resources. Make sure you understand the plot, and that you can link up this evidence with thematic concerns (ie. if I pointed to some textual evidence and said 'what is Witting saying about truth here?' or 'what is Witting saying about family here?' would you be able to answer that? If not, go back and reconsider.) But if you know what you're trying to get across and just can't put it into words, then think about your vocab and sentence structure. Maybe start with a planning method like the one outlined above, and just concentrate on communicating your ideas (ie. don't stress about sounding 'sophisticated' and writing at a 'year 12 standard;' just get your points out however you can, and you can jazz up the language later.)

Hope that helps! Let me know if you have any questions! :)