Hi Everyone! I saw that what I assume is the designated LA feedback thread hasn't been posted in for a couple of years, so I thought that it might be easier if I just post mine here.
I'm a bit confused at the moment, because my teacher has taken a really strong 'anti-techniques' stance with regards to analysis, and I'm struggling to not name techniques, yet not be too general in my analysis. Is there any chance someone can give me some feedback? I'd really appreciate it.
Article:
http://www.theage.com.au/comment/with-racism-whenall-is-said-and-done-perception-is-vital-20150802-gipn5m.htmlEssay:
Amanda Vanstone’s opinion piece “Goodes is better than the booers, and so are we”, (The Age - 3/08/15), contends that the much publicised booing of AFL player Adam Goodes was an unnecessary display of “pack” ignorance. Vanstone crafts a piece which argues that an inflammatory media “slanging match” and the ugly power of “unthinking mobs” have tarnished the reputation of an admired individual. She asserts that Goodes, a valued member of the Indigenous and wider Australian community, has every right to express his views, whether it be in the political or sporting field, without discrimination or xenophobic commentary. In a personal and passionate voice, Vanstone utilises her own experience, interwoven with relevant colloquialisms that establish a feeling of ‘us and them’, positioning the reader to view the perpetrators of the ‘booing’ as “pathetic and weak people”, and therefore Goodes as a victim of unwarranted abuse.
The headline of Vanstone’s piece immediately reveals her intention to tag “the booers” as an unsavoury group, and establishes a divide between the audience, ‘we’, and the “unthinking mob”. By arguing that the reader is “better than the booers”, Vanstone is able to draw on her audience’s ego, compelling them to exclude the action of verbal abuse from those that they deem socially acceptable. Including a graphic depicting one black sheep amongst group of white sheep, Vanstone reinforces her contention through the segregation of those who ‘Baa’ from those who ‘Boo’. The coupling of the statement that “Goodes is better than the booers” with the negative connotations associated with the image of the ‘black sheep’ thereby positions the reader to view themselves and the author as having a moral compass that is lacking in the “booers”.
Referencing AFL CEO Gillon McLachlan, Vanstone presents the argument that the media response to “the booing of Adam Goodes” was a destructive “slanging match”. Through her allusion to McLachlan denying the media a “running battle” by refusing to label the booing as racist, Vanstone suggests that media involvement in such public issues is often driven more by a desire for drama and subsequent revenue than a desire for productive and reasonable discussion. As Vanstone, using language that encourages the reader to feel part of the debate, states that “we are sick of the simplistic slanging match”, she reinforces her argument that when the media lose sight of the complex and delicate nature of the issue, they become no “better than the booers”, and “take the easy way”. Vanstone’s continual references to “some people” and “others” maintain the thread of her attempts to create a divide between the inappropriate actions of the black sheep and those of herself and the reader, the white, and therefore ‘pure’ sheep.
Drawing upon the references to ignorance and group thought that are suggested by the graphic, Vanstone furthers her contention by asserting that although “footballers hear booing all the time”, the booing that Goodes was subjected to was caused by a “mindless pack mentality”. Through her use of the word “pack” and “unthinking mob”, Vanstone alludes to the less than human nature of the actions, and in doing so denigrates the “pathetic and weak people”. The negative connotations of Vanstone’s descriptions of the “booers” therefore further her argument that Goodes’ reputation has been unnecessarily tarnished at the hands of a group who are “not people you would feel proud to have as a friend”, and encourages the reader to view them in a truly disparaging manner.
Switching from an attack on the perpetrators to a more reasoned discussion of the issue, Vanstone concedes that she doesn’t “accept that the booing of Goodes is entirely racist”. Through assuming a more accommodating tone, and including her own experience as a Port Adelaide supporter, that “fans adore indigenous players”, Vanstone makes an effort to maintain her reputation as someone who values “nuanced argument and reasoned discussion”. This restoration of credibility is accompanied by a more reflective passage in which Vanstone contends that the “ignorant rudeness” of this “ugly new phenomenon” is something that is partly due to perception, compounded by the inflammatory media action that she described at the beginning of her opinion piece.
Through her assertion that “popularity falls away quickly” when prominent figures such as Adam Goodes step “onto a political stage”, Vanstone reveals her intention to position the reader to view the criticism that accompanies ideological commentary as inevitable. Alluding to the much-publicised actions of Cate Blanchett, she is able to draw upon the reader’s preconceived view that the booers, and much of the public, “don’t like the politics”. Although generalising in this manner may strengthen Vanstone’s argument that Goodes is being criticised for his “courage” in stepping out of the sporting realm and into a political one, rather than for any other aspects of his personality, it may also alienate readers who happen to think that the booing has nothing to do with racism or a rejection of ideological discussion.
Vanstone then moves into a more direct defence of Goodes, both as a public figure and a personal acquaintance. By stating that it is “plainly ridiculous” to hold him responsible for racist verbal abuse, and that she “loved” Goodes’ “war dance”, Vanstone reveals her respect for him to the reader. Her intention to position the reader to view Goodes in a more compassionate manner is made clear when she describes his “years of constant abuse”, an argument added to by the colloquial manner with which she addresses the “ape jibe” that was the “straw that broke the camel’s back”. Anecdotally, Vanstone outlines her own experiences of Goodes as a “contributor, a giver”, a “great sportsman”, adding to her thread that “it is plainly ridiculous to paint Goodes as the bad guy” due to his status as an upstanding member of “the broader community”.
Vanstone’s final reference to the fact that Goodes is “far, far better than” the “unthinking yobbos”, and “so are we”, through her recurring distinction between ‘us and them’ reinforces the overarching contention that the reader must separate themselves from the booers, and the toxic, racist attitudes that their actions promote. Through the inclusive and passionate way in which she crafts her opinion piece, Vanstone effectively targets the Australians in her audience, combining their inclination to frown upon the “booers”, and their inherent empathy for victims of “abuse”, such as Adam Goodes. Ultimately, Vanstone leaves her audience with an image of Goodes as a victim of the morally corrupt, “them”, and therefore is successful in presenting her contention that he “is better than the booers, and so are we.”