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Author Topic: The Imaginative Landscape - Writing Piece  (Read 2551 times)  Share 

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nerd

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The Imaginative Landscape - Writing Piece
« on: September 07, 2009, 10:55:02 pm »
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Can anyone have a read of my piece and tell me if its any good? Any comments would be great...

History has shaped the meaning of the landscape for all its inhabitants.

Statement of Intention

In this reflective piece I took on the persona of a second generation Holocaust survivor, who reflects on the passing of his mother and the memories which she never had a chance to divulge to him. I focused on the contrasts between the lives and landscapes of the first and second generation survivors and the glimpses into the past which the writer found through the small sentimental connections he was able to make with his mother’s history. Furthermore, I drew on the idea of the landscape as explored through stories, highlighting the legacy that the second generation survivor must hold onto and pass on, in order to ensure the passage of history.

In regard to Jindabyne, I drew on the idea that the landscape is viewed differently when seen through the eyes of people who are in different emotional states. As both the white and Aboriginal Australians saw the landscape differently depending on their past experiences, so do those who directly survived the Holocaust, and those children who must live with the stories of their parents survival ingrained within the family histories.

The Legacy of the Second Generation

It is amazing how despite living with someone your whole life, in truth you know so little about them. I must have spoken to my mother nearly every day for the fifty years that we had shared together yet, as she gazed at me faintly from her bed, days before her inevitable passing, I realized that despite our years together and the cherished memories which I will continue to hold dear, I knew surprisingly little about her past, about her stories and about the experiences that had shaped her into the person I saw before me. Here was a brave woman. One who had endured the terrors of war and had witnessed the ultimate in human indecency. Before me lay, despite her age and her physical weakness, a woman who had conquered life despite the obstacles which had been posed in her way. These memories of traumatic obstacles remained clear in her mind until that last day. I know that for sure. Behind her here greying eyes, her physical weakness could not hide the stories that were buried deep within. Yet all I was left with were snippets – glimpses into a past that was dark and unknown.

It is no doubt difficult to express to another one’s deepest memories. Within each soul lie hundreds of images, sounds, impressions and whispers, yet to articulate these into words is often a task too daunting for those whose memories raise within them their deepest emotions. Secrets, which had been buried deep within the confines of one’s soul for so long, seem to lose their place over time, their meaning almost forgotten until they are reawakened in our darkest hours. To express in words the grief and the trauma of war is not something that comes easily. To relive pain and the suffering of watching one’s parents being murdered is not easily relived. Yet the memories remained, however buried, waiting to resurface, yet never truly doing so.

For years, my mother had remained silent about her life in Poland before the war and the loss of her family during the Holocaust that plagued much of Europe. A topic too traumatic to discuss, the stories remained hidden to me, a man who was yet to understand the true nature of mankind and its capacity for evil. Locked away with the confines of my mother’s spirit lay both questions and answers not only of the Holocaust but of a more personal nature; the stories of my grandparents, the stories of my heritage.

I never met my grandparents, who were murdered at the hands of the Nazi regime in Poland years before I was born. A tattered photograph is all that remains; my maternal grandparents barely visible in front of a large oak tree, in what I can only imagine is their front garden. Yellowing and faded, this snapshot of a past life is my sole connection to my mother’s parents whose identities were lost with my mother’s passing. Never would I know the nuances of their personalities or their distinguishable character traits. Never would I know whether I inherited my blue eyes from my grandmother or my grandfather. Lost – these memories were simple lost in the passage of history and the vacuum of time.

My mother and I grew up in different times, different places and different landscapes. My mother remembered most vividly the images of trauma and terror that war brought on, even if she was unable to express these in words. I see a carefree childhood of happiness, different in nearly every respect to my mother’s own struggle for survival. However, these differences do not restrict me from carrying on my mother’s legacy, however slight it may be. If anything, the need to pass on her stories becomes more imminent when witnessed in contrast to the prosperity of my own world and the safety of our own lives.

As my mother closed her eyes for the final time, relinquishing her spirit to an unknown force, I had the sudden urge to scream, to plead for her hand over the memories of her past life. I needed the connection, the bond that was more substantial than a splotchy photograph whose subjects I could barely make out. How am to live, I asked myself, with no connection to the past, with no link to a family which I barely knew? I have nothing – nothing to take me back through history, nothing through which to remember by, nothing to hope for.

Here I am, left with merely a few glimpses into my family heritage – a tattered photograph here, a gravestone there. Yet I realize now the weighty bequest I have received, no matter how physically small. I have been given the legacy of a second generation survivor. At least I have something to hold onto, if only a tattered photograph. The legacy goes further, however, than merely a physical artefact which I can pass down to my children. I know now that I must honour the fact that, despite her hardships and traumas my mother survived, and her blood as well as those of her parents, runs through me, their son. She was a survivor, and it is this very fact for which she must be remembered. No matter how little I may have to take me back to the days of her youth or to connect me with my heritage at least I have the image of my mother’s face ingrained within my mind and it is this fact which will allow me to keep her memories and pass on her legacy, that of a survivor.
2008
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haneybee

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Re: The Imaginative Landscape - Writing Piece
« Reply #1 on: October 17, 2009, 09:51:15 pm »
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I think the reflective tone that you've adopted is great- it adds to the sentimentality of your writing =]

I'm not studying Jindabyne, although I'm doing the Imaginative Landscape as the context. Nevertheless, having studied the context I think you've captured the ideas really well.

Did you do this one under timed conditions?

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nerd

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Re: The Imaginative Landscape - Writing Piece
« Reply #2 on: October 17, 2009, 10:05:34 pm »
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Thanks for the comments. This was a one off piece - I usually do expository. I'm just finishing off writing one now...I'll post it up later tonight. This one was done under timed conditions for a SAC. Therefore, I think I wrote it in about 75 mins...
« Last Edit: October 17, 2009, 10:41:55 pm by nerd »
2008
Hebrew - 33 (scaled 44)   |   Maths Methods - 45 (scaled 48)

2009
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nerd

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Re: The Imaginative Landscape - Writing Piece
« Reply #3 on: October 17, 2009, 10:41:18 pm »
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Prompt: To connect on a spiritual level to our landscape requires us to embrace the concept of a divine scheme within it.

‘Walking Through Nature’

When a man gazes at the stars, he becomes aware of his separation from the material world. Visible only at night, the infinite specks of light which parade across the blank canvas of space lift the humble stargazer into the world of the sublime, a world of endless transcendence. By staring into the misty skies of an unknowable world, with no purpose but simply to be enveloped by the enormity of man’s own existence, the stargazer is immersed within the natural world – elusive, infinite and more complex than we could ever hope to understand.

Years of industrialisation, technological advancements and materialistic desires have left us woefully ignorant of the world that surrounds us. The goal of science has always been to provide a theory to nature, to explain the intricacies of the natural world and define the random creations that exist within our universe. However, despite years of research and experiment, theory and hypothesis, man is yet to attain a truth broad enough to comprehend all of nature’s forms and phenomena. The natural world, despite our greatest attempts at understanding, remains an absolute and impenetrable unknown.

Man cannot perceive his proper place in the world not due to his poor intellect or lack of understanding, but merely because he has lost a sense of the unifying element that forms the common bond between the human and the natural. Caught up within the confines of our urbanised worlds, we have become trapped in an isolated society that has distanced itself from nature in a futile attempt to advance further technologically and scientifically.

And yet, without any attempts at renewing the bond between man and land, we continue to pose the existential question.

Transcendental philosopher and naturalist Henry Thoreau had a simple answer: walking. Rather than to walk through life, Thoreau suggests that we should “saunter”, a distinction which is made clear in the entomology of the word. Thoreau believed that the word had originated from the French “sainte-terre” or Holy Land. Rather than simply carelessly strolling through our lives, if we walk with purpose and with a connection to the holy or precious land on in which we live, we step ever closer to finding meaning within our lives. True walking, Thoreau suggested, is not directionless wandering through a crowded city street or an empty field. It is not merely an act of exercise or physical endurance. Rather, Thoreau suggested that it is a “crusade forth to conquer the Holy Land”; to step forth with intent and chose within our lives the paths that do not merely lead to personal gain, but rather to spiritual fulfillment.

Ralph Waldo Emerson further explores this idea in his discussion on nature and its meaning in the modern world. In order to experience awe in the presence of nature, Emerson suggests that we need to approach it with a balance between our inner and our outer senses. Namely, we must consider nature to be both of the physical and spiritual form. The natural world, despite man’s attempts to manipulate it, change it, define it and hide it, is the core of our existence and yet we continue to distance ourselves from its simplicity. By merely experiencing nature in the tangible sense, we ensure that we can never understand the world as it was meant to be experience. We must value nature strictly as itself – without any regard to profit, self gain or personal desires if we are to step closer to achieving self understanding.

Linking both Emerson and Thoreau’s words, Historian Marc Auge distinguishes between the connections that we can have to our landscapes as “places” and “non-places”. “Non-places” are those landscapes with which we share nothing but a transient bond – our schools, homes and workplaces often resemble such landscapes of little meaning. Conversely, “places” refer to the landscapes with which man has a powerful connection – a bond which transcends all relations between men. Despite conflict and terror, suffering and hatred, the bonds that man shares with his “places” remain strong and unbroken.

Both Thoreau and Emerson suggest that it is by establishing nature as a “place” within our lives that we can truly understand our purpose on Earth. We have long lived with the mentality that nature in its vastness and wild forms is a foreign and fearful entity that must be tamed in order to advance in life. However, it is through stepping down from our superiority as men and “walking” alongside the natural world that we have any hope of attaining answers in this seemingly unknowable world. Despite living our selfish and materialistic lives, we continue to search for meaning within the world, frustrated and angered by the lack of answers that society presents. We do nothing to truly connect with our landscape and yet the prospect of there being no answers remains incomprehensible for the curious human mind.

Ultimately, we must all be like the stargazer, caught up within the breathless wonderment of his own existence and staring deep into the realms of the infinite universe. It is only then that he, alone, can find meaning within his life. Not from some spiritual source or divine power, but from himself and the land on which stands.  Because, ultimately, we must gain comfort from the very fact that we are here. We can breathe and think and love and learn. We are “human, all too human”.
2008
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2009
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nerd

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Re: The Imaginative Landscape - Writing Piece
« Reply #4 on: October 20, 2009, 09:10:38 pm »
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^^ Can anyone critique/give me a mark for the above context piece? Thanks.
2008
Hebrew - 33 (scaled 44)   |   Maths Methods - 45 (scaled 48)

2009
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spontaneouscombustion

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Re: The Imaginative Landscape - Writing Piece
« Reply #5 on: October 21, 2009, 07:46:43 pm »
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I don't want to give a mark for fear of being too harsh/lenient or misleading, but I think overall, the piece is quite good. You addressed the first half of the prompt "To connect on a spiritual level to our landscape" very well, but the 'divine scheme' part was sort of missed.

the sentence 'The natural world...remains an absolute and impenetrable unknown' reminded me of In the Lake of the Woods lol.
Scientists tell us that the fastest animal on earth, with a top speed of 120ft/sec, is a cow that has been dropped out of a helicopter. –Dave Barry

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nerd

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Re: The Imaginative Landscape - Writing Piece
« Reply #6 on: October 21, 2009, 08:36:24 pm »
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We're studying Lake too and I just couldn't help it! Shhhhh....
2008
Hebrew - 33 (scaled 44)   |   Maths Methods - 45 (scaled 48)

2009
Specialist Maths   |   Chemistry   |   English   |   Biology   |   Further Maths

appianway

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Re: The Imaginative Landscape - Writing Piece
« Reply #7 on: October 21, 2009, 09:42:37 pm »
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Maybe it's just me, but I prefer the second one. The language seems a bit more alive; although the first one adopts a bit of a detached tone, I'd have liked to see a few anecdotes "showing", rather than "telling" so that the audience can gather the nuances of each issue. My main criticism of your second piece would be that perhaps you could have chosen fewer ideas, but developed them to a higher extent - it seems as though you're skimming over some of the profound concepts that you introduce. In saying that, it's still an excellent piece, and if it was written in a tight timeline, it's something you should be proud of.

Oh, and there's one other thing - did you mean etymology rather than entomology? Entomology's the study of insects; etymology's the study of the origins of words.

Anyway, good work :) Don't stress too much about the exam... after reading those, it sounds like you're in a good position :)

naughtynafan

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Re: The Imaginative Landscape - Writing Piece
« Reply #8 on: October 25, 2009, 04:48:12 pm »
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hahahahaha