To what extent is the conflict between academic and popular history?
I'm having trouble in what specifics to argue in this question. I've planned out a bit of a "vs" structure where I take an academic example of history and contrast it against popular (Herodotus' histories vs the movie "300") showing the difference between there aims but I don't entirely understand the "conflict" part of the question. Is there another approach you would take on the question? Am I doing it wrong?
George
Hey! So to add onto mitchello's already fantastic response (you're absolutely killing it man), here is my two cents on this question

When I look at this question, particularly the conflict aspect, immediately my brain jumps beyond just the differences between the two, but the implications of these differences. The conflict arises through the dominance of one form of history over the other.
Remember that popular history doesn't just include movies, but also actual history texts that are produced for mass consumption and entertainment, rather than serving a purely academic purpose. Niall Ferguson is a popular historian. Bill O'Reilly is a popular historian. Eric Hobsbawm is a popular historian, etc. etc. Their works are typically more accessible - both in terms of the content in that it is easier to understand and digest, but also in its physical and financial accessibility. As these texts are typically more accessible, more and more people are consuming them, in comparison to academic history, which is typically A LOT more expensive (sometimes even unattainable), a lot more dense, and a lot harder to understand. So, with that in mind, what form of history is going to be more successful, at least monetarily (as we live in a capitalist society, this does tend to be the way in which me define success). However, many academic historians and scholars see this as promoting the decline in historical scholarship, as now technically "anyone" can be a historian - not just someone with a PHD. Along with this, popular history inherently has the aim of mass publication, and to attract an audience, rather than the (supposedly) purer intentions of academic history to educate. This will of course impact the way in which popular history works are constructed, as popular historian Bill O'Reilly even states; “if you can write exciting books you would sell a lot of copies and have movies made of them.”
With that in mind, the way that I would personally structure a response (in a dream world, where this structure also fits with the stimulus provided);
- What is a historian? - Looking at what actual constitutes a historian, and to what extent academic historians can claim "ownership" of the discipline (would integrate postmodernism throughout this paragraph).
- Expanding Discipline - looking at how the actual discipline if history has expanded to incorporate newer forms and styles of history, eg. social history, which has expanded the audience for history, and thus increased the demand for public consumption, supplied by popular historians.
- Commodification and politicisation of history - Looking at how history has now become a popular form of entertainment, money in history (Bill Gates ties to 'Big History'), and also how popular history can be used to legitimise political actions, both past, present and future, meaning is popular history more relevant? (linking Niall Ferguson, and how his histories serve to legitimise US imperialism).
Hope this makes sense! Remember that there is no, one way to write a history extension essay - you don't have to focus on the exact issues I raised, these are just stuff that I would have focused on last year if I were faced with this question

The beauty of history extension is that every essay is unique (unless you're writing a chronology aha, then your essay is likely to look very similar to the tonnes of other students also writing a chronology).
Hope this helps, if you have any more questions please let me know!
Susie