Liberation narratives are always awkward and rarely accurate. Those who assist in toppling dictators tend to leave the ground fresh for another insurrection. The flipside of the Arab Spring is fundamentalist usurpation. Chatter about democracy is meaningless when the institutional will is absent. The new Libyan regime has been supported by Western governments, but it lives precariously.
All that mob violence generally requires is a vague pretext to bolster a lynching. What that pretext was in the Benghazi killings is not entirely clear. Was it the noxious video Innocence of Muslims, made by a real-estate developer and promoted by Koran-burning preacher Terry Jones? Or was mob violence a gift on the anniversary of the September 11 2001 attacks, orchestrated with devastating effect?
US officials have taken it upon themselves to investigate what motivated the attacks. It will not require the gifted and the intelligent to discern some of the causes. Innocence of Muslims is merely a sideshow to both the way American power is projected and the Muslim world’s own problems, though it provides a pungent distraction for troubled communities. It also shows that mobilised groups of revolt can be formed rapidly, bypassing official channels and imperilling stability.
Islamophobia in the US, trumpeted by Jones and backed by such figures as the Egyptian-American lawyer Morris Sadek, provides one side of the equation. The counter is provided by such organised efforts as seen in Benghazi. Both sides nourish each other’s assertions of intolerance. The power of these unofficial protests has reached such a level that General Martin Dempsey, chairman of the US Joints Chief of Staff, personally called Jones to demand that he stop promoting the film.
https://theconversation.edu.au/death-in-benghazi-the-dark-side-of-the-citizens-revolt-in-libya-9552-----------------
Free speech isn't absolutely free anywhere in the world. This isn't even true in the USA, where their constitutional protections for speech are much stronger than ours. Their laws protect a fair degree of hateful, racist, homophobic or sexist bile you can spew. It's a constitutional right. Even their protections don't extend to things like shouting "
Fire!" in a crowded theater or yelling our "
I have a bomb!" in a hospital. These forms of speech clearly have one idiotic reason behind them - to cause fear and fuck with people.
This film quite clearly isn't a scholarly work or journalistic opinion nor art. It does
nothing to further discourse in our society or enrich society as a whole. It quite clearly has one purpose and one alone, scorched earth, maximum offense.
To agitate people and stir up tensions.It's intentions are quite clear and dual in purpose:
Firstly, to stir up hatred for Muslims amongst those who
aren't. This is achieved by quoting material selectively and out of context and perpetuating old stereotypes. This is about the level of Fox News or
the Protocols of the Elders of Zion. The second purpose is to deliberately provoke Muslims into the very reactions like this. Indeed, the Coptic Christian who did this constantly claimed to be Jewish, it seems a side purpose was to either further the myth that theres something ingrained within Islam to hate Jews or to also have Jews attacked.
It wasn't
that long ago the place of
fear and hated of Muslims in European society and culture was taken by
Jews. It began long before Hitler. I've seen an article that argued the west has simply replaced Jews with Muslims.
We're all focusing on how hateful muslims are...what about the dick that made the film that started this all?
(aware of the stupid grammar mistakes, wrote in parts..mostly fixed now)