For example... I've been thinking about my English exam for a very long time and trying to figure out why the score was so high. Lol. Anyone that's been around the English for a while will know that I monumentally fucked up the timing of my exam. Section C took me about ninety minutes, I spent about fifty five to sixty minutes on Section A, and then about thirty minutes of Section B, in that order. Because I spent so little time on my creative piece, it meant I was FORCED not to worry about my writing or how I was going to do this or that, so I wrote, quite literally, whatever the fuck popped into my head. Subsequently, my story was a mixture of first/third person narration and a bunch of haiku poems were included. I'll outline my structure below. I've decided that because my story was very bold, and very creative, I was rewarded with good marks for the story. The writing wasn't anything brilliant (I was rushed, sue me). So yeah - I think I was rewarded for the huge originality in my story, as well as connections to the text.
As aforementioned, my text was Skin for Identity and Belonging. Skin is a movie based on a true story about a girl whose biological parents were both white skinned, but she popped out black. (Some genetic throwback thing). This occurred in South Africa during the apartheid. I'm sure you can fill in the blanks.
I called my story "Stolen: Australia's genocide" - or something along those lines.
My structure was --
First para: Third person narration, providing facts about the Stolen Generation. Eg. "From 1901 to 1986, 150,000 Aboriginal and Torres Strait Islanders were taken from their homes...." etc.
Then I transitioned to a haiku which was
We are the Stolen
We have no identity
We are the last ones now
(I know, I know, there are six syllables in the last line - I almost shot myself in the face when I read this back. -For those wondering, I had an examination of scripts a while ago and have a decent memory, and I made sure I remembered all the poems, simply because they were so bad/corny/cliche that I pissed myself laughing.)
Then I transitioned to a first person description of how the police kidnapped a girl from her parents' home. I included some dialogue from the police officers, and the girl/narrator. The difference in voice between the characters was very clear. In this part of the narration, I outlined how the girl used to be very bubbly/outspoken before she was stolen, but now she is very reserved and deferent. (The prompt was "Each person has different identities for different relationships and situations) - so you can see I was trying to say that she had to change her identity for survival.
I then transitioned back to third person, informative narration and spoke about the establishment of the "Aboriginal Protection Board" in 1916 for another paragraph.
Then another haiku -
We are the Stolen
There is no hope anymore
We are broken now
Then I transitioned straight from the haiku to the line "Touch me there, and I'll scream". So a bit of dialogue between a girl about to be raped and the cunt that was about to rape her. Then a third person paragraph about how the girl that said "Touch me..." was normally a very quiet girl etc, but how in order to survive this situation, she would need to be different. There was then dialogue interspersed with the narration - eventually she was saved from the rape via being extremely forceful and telling him she'd bite it off etc etc.
I then transitioned away from that scene and back into the informative narration that I started with, talking about how the exact numbers are not known and the children were forced to compromise their identity etc etc. Then, within the same paragraph (this is the one thing I'm proud of in this story), the third person transitions into first person in the last line, which means the informative voice throughout the whole story was a member of the SG. The last line was something like "These stories, they must never be repeated. They must
never be forgotten. We are the Stolen Ones".
So, you can see the way in which being bold and doing something a bit different can pay off. Also, within that story I wrote 'bitch' and 'slut' - (I've heard a lot of people say you should never ever ever do anything that isn't conservative in a story). This also isn't a simple creative story. This story is literally the best thing I can use to demonstrate that you can do whatever the fuck you want in your exam so long as it is written well and hits the criteria.
Wow thanks so much for the informative post
that helped me a lot, thanks again 
You're welcome
