Module A: Richard III and Looking For Richard
HOW DO I MAKE THIS SHORTER?
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To what extent have the connections you have made between the two texts shown how particular concerns, although timeless, impact differently on individuals in different contexts.Composers share the purpose of wanting to entertain, so their portrayal of certain concerns and their positioning of the audience to view these concerns is context specific, even when the nature of the concerns themselves is timeless. With the purpose to affirm Elizabeth I and her family’s reign, William Shakespeare tarnishes the name of Richard III in his sixteenth century historical tragedy, King Richard III. He demonstrates how the Machiavellian rise to power of Richard III, focussing on his duplicitous nature, is immoral and therefore, appeasing commonly held contextual values, divine retribution is deserved. By contrast, Al Pacino has no political agenda in his 1996 docudrama Looking for Richard. Through method acting, he comes to appreciate Richard’s character as complex and due also to his American, secular audience, valuing the American Dream, portrays him as deeply flawed rather than evil. Further, the women of Richard III and Looking for Richard are portrayed as intelligent, recognising Richard’s malevolence, however, due to Shakespeare’s patriarchal context and Pacino’s reframing of the key themes, the women have limited power and effect upon their society.