I did not like the Passage to India passages at all. So very obscure (especially the first).
WHAT WERE THEYYY if they were better than mine I'll want to rip off heads.
1)
Assured of her approbation, Ronny continued: "The educated Indians will be no good to us if there's a row, it's simply not worth while conciliating them, that's why they don't matter. Most of the people you see are seditious at heart, and the rest 'ld run squealing. The cultivator--he's another story. The Pathan--he's a man if you like. But these people--don't imagine they're India." He pointed to the dusky line beyond the court, and here and there it flashed a pince-nez or shuffled a shoe, as if aware that he was despising it. European costume had lighted like a leprosy. Few had yielded entirely, but none were untouched. There was a silence when he had finished speaking, on both sides of the court; at least, more ladies joined the English group, but their words seemed to die as soon as uttered. Some kites hovered overhead, impartial, over the kites passed the mass of a vulture, and with an impartiality exceeding all, the sky, not deeply coloured but translucent, poured light from its whole circumference. It seemed unlikely that the series stopped here. Beyond the sky must not there be something that overarches all the skies, more impartial even than they? Beyond which again . . .
They spoke of Cousin Kate.
They had tried to reproduce their own attitude to life upon the stage, and to dress up as the middle-class English people they actually were. Next year they would do Quality Street or The Yeomen of the Guard. Save for this annual incursion, they left literature alone. The men had no time for it, the women did nothing that they could not share with the men. Their ignorance of the Arts was notable, and they lost no opportunity of proclaiming it to one another; it was the Public School attitude; flourishing more vigorously than it can yet hope to do in England. If Indians were shop, the Arts were bad form, and Ronny had repressed his mother when she enquired after his viola; a viola was almost a demerit, and certainly not the sort of instrument one mentioned in public. She noticed now how tolerant and conventional his judgments had become; when they had seen Cousin Kate in London together in the past, he had scorned it; now he pretended that it was a good play, in order to hurt nobody's feelings. An "unkind notice" had appeared in the local paper, "the sort of thing no white man could have written," as Mrs. Lesley said. The play was praised, to be sure, and so were the stage management and the performance as a whole, but the notice contained the following sentence: "Miss Derek, though she charmingly looked her part, lacked the necessary experience, and occasionally forgot her words." This tiny breath of genuine criticism had given deep offence, not indeed to Miss Derek, who was as hard as nails, but to her friends. Miss Derek did not belong to Chandrapore. She was stopping for a fortnight with the McBrydes, the police people, and she had been so good as to fill up a gap in the cast at the last moment. A nice impression of local hospitality she would carry away with here.
2)
A Marabar cave had been horrid as far as Mrs Moore was concerned, for she had nearly fainted in it, and had some difficulty in preventing herself from saying so as soon as she got into the air again. It was natural enough: she had always suffered from faintness, and the cave had become too full, because all their retinue followed them. Crammed with villagers and servants, the circular chamber began to smell. She lost Aziz and Adela in the dark, didn't know who touched her, couldn't breathe, and some vile naked thing struck her face and settled on her mouth like a pad. She tried to regain the entrance tunnel, but an influx of villagers swept her back. She hit her head. For an instant she went mad, hitting and gasping like a fanatic. For not only did the crush and stench alarm her; there was also a terrifying echo.
Professor Godbole had never mentioned an echo; it never impressed him, perhaps. There are some exquisite echoes in India; there is the whisper round the dome at Bijapur; there are the long, solid sentences that voyage through the air at Mandu, and return unbroken to their creator. The echo in a Marabar cave is not like these, it is entirely devoid of distinction. Whatever is said, the same monotonous noise replies, and quivers up and down the walls until it is absorbed into the roof. "Bourn" is the sound as far as the human alphabet can express it, or "bou-ourn," or "ou-boum,"--utterly dull. Hope, politeness, the blowing of a nose, the squeak of a boot, all produce "bourn." Even the striking of a match starts a little worm coiling, which is too small to complete a circle but is eternally watchful. And if several people talk at once, an overlapping howling noise begins, echoes generate echoes, and the cave is stuffed with a snake composed of small snakes, which writhe independently.
After Mrs. Moore all the others poured out. She had given the signal for the reflux. Aziz and Adela both emerged smiling and she did not want him to think his treat was a failure, so smiled too. As each person emerged she looked for a villain, but none was there, and she realized that she had been among the mildest individuals, whose only desire was to honour her, and that the naked pad was a poor little baby, astride its mother's hip. Nothing evil had been in the cave, but she had not enjoyed herself; no, she had not enjoyed herself, and she decided not to visit a second one.
3)
"I must go back now, good night," said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on somethiiig more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, "Don't you think me unkind any more?"
"No."
"How can you tell, you strange fellow?"
"Not difficult, the one thing I always know."
"Can you always tell whether a stranger is your friend?"
"Yes."
"Then you are an Oriental." He unclasped as he spoke, with a little shudder. Those words--he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son."
"I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top.
"But you are Heaslop's brother also, and alas, the two nations cannot be friends."
"I know. Not yet."
"Did your mother speak to you about me?"
"Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you."
"Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain. "How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."
Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were--hidden to deter the visitors from going out--and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising.
There you go.
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