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August 22, 2025, 10:59:29 pm

Author Topic: Free AOS Creative Writing Marking!  (Read 359740 times)

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Blissfulmelodii

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Re: Free AOS Creative Writing Marking!
« Reply #405 on: October 13, 2016, 05:55:06 pm »
So now that that torture is over, i guess this discussion thread won't be needed at least for another year hahahaha But it was great while it lasted. Thank you to all the lecturers who edited and checked stories/essays; you guys were the true heroes of the HSC  :) :) :)
2 exams down and 7 to go!
--HSC subjects--
Music 1 | Biology | Society and Culture | Spanish Beginners | Math ext 1 & 2 | English Advanced | English ext 1 & 2

jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #406 on: October 13, 2016, 05:57:52 pm »
So now that that torture is over, i guess this discussion thread won't be needed at least for another year hahahaha But it was great while it lasted. Thank you to all the lecturers who edited and checked stories/essays; you guys were the true heroes of the HSC  :) :) :)
2 exams down and 7 to go!

You are welcome Blissful! So happy to have been of help! We'll enjoy a little breather before we have the next cohort submitting their stuff for their first assessment tasks; we absolutely loved helping you all out. We hope you guys hang around during exams for your other subjects and even afterwards to let us know what you get up to in the future! AN is a community and a family, lots of love from us  ;D

anotherworld2b

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Re: Free AOS Creative Writing Marking!
« Reply #407 on: October 14, 2016, 09:30:48 pm »
Hi I'm back with an edited version of my narrative.
I was wondering does anyone have any tips on how to write a good narrative within a time limit? It took me a while to write this practise essay.
I was also wondering if I could get an indicator on how well I fulfilled the marking criteria. A particular comment I received is that is I need to work on this particular aspect: Presents a fluent, readable narrative that demonstrates control of grammar, vocabulary, spelling and punctuation acceptable for a first draft. However, I am not sure how to do this? 

Spoiler
Task: Construct an opinion piece or a  narrative to position an audience to respond in a particular way to the image below.
The image: pictures two monochromatic people, one male and one female back to back
Statement of intent:
Audience: Adults
Purpose: To evoke sympathy towards the pain of divorce
Context: A couple have separated and all that is left to finalise their divorce is the husband’s signature.

Title: Divorce

The office was cold, and outside the ethereal rays of light from the dipping sun into the horizon shone gently on the grass and flowers covered glistening night dew. His fingertips gently glided over the smooth paper as he looked at the numerous scribbles and daunting numbers on the last page of the document. The movement of his calloused fingers halted, hovering over the straight line next to the daunting and bold word ‘Signature’ once again. A familiar blur and sting fill his eyes as he closed his eyes engraving waves of lines into his forehead.

Now out beyond him were the vibrant red roses, tulips and peonies he loved arranged neatly in the flower beds. The nostalgic gentle breeze of spring blew her golden hair astray as she tended to her precious flowers with great care. A familiar gentle arch appeared on his face as he slowly approached her from behind. She let out a gasp of surprise and a melodious laugh as he enveloped her tightly in his grasp with loud laughter of his own. At night, the prickling sensation of grass would brush against his neck as he intertwined his fingers with hers gazing up at the vast and open night sky. He would teach her the names of constellations with passion as she looked at him with a wide eyed smile on her face. The vast darkness and stillness of the night would bask them in comfortable silence despite no words being spoken.

He could feel more tears trailing down his face dripping onto the white paper and the cold surface of his mahogany desk seeping through his silk shirt. The sound of laughter and noise was replaced by silence and the loud ticking of a clock. He took a deep breath and reached towards a pen with hesitation his muscular arm shaking like leaf in the wind. He peered through the window. The window was ajar, bringing in a cold draft of wind. It made him to realise it was no longer spring. An familiar uncomfortable pain rose up from his chest. He calmed down his breathing or at least he tried tightly clutching over the space of his heart. It was aching, the raw wounds of his heart were being ripped open. His tight hold on the pen turned his knuckles turned white as he signed the document with his signature with desperation and desperation finalising their separation.

Marking key:

Description
Marks
CONTENT
Skilful shaping of complex ideas and language in the creation of an interesting original narrative.
  1 - 6

STRUCTURE AND COHERENCE
Effective, skilful and coherent shaping of text using narrative conventions.
  1 - 6


EXPRESSION AND LANGUAGE MECHANICS
Presents a fluent, readable narrative that demonstrates control of grammar, vocabulary, spelling and punctuation acceptable for a first draft.
1 - 6


GENRE
Genre of story is suited to the purpose, audience and context
 1- 3




jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #408 on: October 15, 2016, 04:21:18 pm »
Hi I'm back with an edited version of my narrative.
I was wondering does anyone have any tips on how to write a good narrative within a time limit? It took me a while to write this practise essay.
I was also wondering if I could get an indicator on how well I fulfilled the marking criteria. A particular comment I received is that is I need to work on this particular aspect: Presents a fluent, readable narrative that demonstrates control of grammar, vocabulary, spelling and punctuation acceptable for a first draft. However, I am not sure how to do this? 

Hey! I'll pop some comments throughout this new version, focusing on fluency:

Spoiler
Task: Construct an opinion piece or a  narrative to position an audience to respond in a particular way to the image below.
The image: pictures two monochromatic people, one male and one female back to back
Statement of intent:
Audience: Adults
Purpose: To evoke sympathy towards the pain of divorce
Context: A couple have separated and all that is left to finalise their divorce is the husband’s signature.

Title: Divorce


The office was cold, and outside the ethereal rays of light from the dipping sun into the horizon shone gently on the grass and flowers covered glistening night dew. That sentence had more than one conjunction; it needs to be split up. His fingertips gently glided over the smooth paper as he looked at the numerous scribbles and daunting numbers on the last page of the document. The movement of his calloused fingers halted, hovering over the straight line next to the daunting and bold word ‘Signature’ once again. A familiar blur and sting fill his eyes as he closed his eyes, engraving waves of lines into his forehead. Some nice imagery here, you set a nice tone very quickly, works really well. Some word choices and syntax were a bit off; I've highlighted those.

Now out beyond him were the vibrant red roses, tulips and peonies he loved arranged neatly in the flower beds. Needs a pause. The nostalgic gentle breeze of spring blew her golden hair astray as she tended to her precious flowers with great care. Did we just have a gender switch? You've swapped from 'him' to 'her,' and I know it is intended, but it is very disorienting for the reader. Give a stronger indication that you're now describing something he is seeing. A familiar gentle arch appeared on his face as he slowly approached her from behind. She let out a gasp of surprise and a melodious laugh as he enveloped her tightly in his grasp with loud laughter of his own. At night, the prickling sensation of grass would brush against his neck as he intertwined his fingers with hers gazing up at the vast and open night sky. He would teach her the names of constellations with passion as she looked at him with a wide eyed smile on her face. The vast darkness and stillness of the night would bask them in comfortable silence despite no words being spoken. Comfortable silence despite no words being spoken doesn't quite make sense.

He could feel more tears trailing down his face dripping onto the white paper and the cold surface of his mahogany desk seeping through his silk shirt. Some pausing needed in here as well; don't be afraid to use commas! Several sections in your story could benefit from them greatly. The sound of laughter and noise was replaced by silence and the loud ticking of a clock. He took a deep breath and reached towards a pen with hesitation, his muscular arm shaking like a leaf in the wind. He peered through the window. The window was ajar, bringing in a cold draft of wind. It made him to realise it was no longer spring. An familiar uncomfortable pain rose up from his chest. He calmed down his breathing or at least he tried tightly clutching over the space of his heart. Needs pauses for that phrase in the middle there, "or at least he tried," to break up the flow of thought. It was aching, the raw wounds of his heart were being ripped open. Good.  His tight hold on the pen turned his knuckles turned white as he signed the document with his signature with desperation and desperation finalising their separation. Signed the document with his signature -> unnecessary words there. What else would he sign with? You could do something more creative here.

Marking key:
CONTENT
Skilful shaping of complex ideas and language in the creation of an interesting original narrative.
Mark=3. This story has a good premise and good style; I like the idea of a very introspective piece about a man reflecting on his marriage. However, there isn't enough depth. Unless your word limit requires it, I feel you need to add much more to this story to truly develop the concept. Perhaps add a flashback to a point where they were arguing a little, then a lot, slowly show the decline of the relationship? You could also do more with language to bring this out; you've got some great descriptive abilities and style, but something a little trickier would be welcome too.

STRUCTURE AND COHERENCE
Effective, skilful and coherent shaping of text using narrative conventions.
Mark=3 You've got an orientation and conclusion, but not much of a complication. Again, you need to give me a bit more of a transition, the conclusion felt a bit rushed and out of nowhere! Use of flashback is effective, but more is needed.

EXPRESSION AND LANGUAGE MECHANICS
Presents a fluent, readable narrative that demonstrates control of grammar, vocabulary, spelling and punctuation acceptable for a first draft.
Mark=3. Your control of mechanics is okay, you could make it much better by using commas. Frequently, I'm looking for a pause in your sentences, to break up your ideas and give me a chance to absorb what I've read. See how I just did it? The best way to get this right is to read your story aloud and listen to where the pauses naturally fall; that indicates where commas/full stops should sit. Spelling was fine, watch for proper syntax and word choice in certain sections.

GENRE
Genre of story is suited to the purpose, audience and context
Mark=3. The reflective nature of your piece suits the purpose and audience, I think this wrks well to this regard.

Marks are rough, and I can summarise my feedback in two points:

1 - Give me more of a complication, SHOW me the transition
2 - Use commas to break up your ideas

I hope this helps! :)


otto.khoo

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Re: Free AOS Creative Writing Marking!
« Reply #409 on: October 16, 2016, 02:35:05 pm »
Hi :) Just a random creative piece I wrote:

------------


Waking up in a hangover on a Sunday afternoon isn’t the ideal lifestyle of a fifty- one year old land mammal. Arguably, it doesn’t seem like it should be the lifestyle of any animal, young or old. Yet on this very special day, Todd, braindead, in a struggle to even find the ground, threw up a conglomeration of mushed olives, Nobby’s lightly salted peanuts, and Chef Bob’s legendary ten dollar half kilo catfish, all concocted into a broth by about a litre of expired goon. A second round was surefire to burst at any moment but the sudden clicking of small gears and the thudding of small footsteps, followed by larger footsteps poured into the-

“Daddy, what’s Uncle Todd doing?” The high pitched noise was enough to cause the second wave of pungent spew to hit the deck- but it wasn’t sea sickness Todd was suffering from, nor was it taking place on a deck. Next to Todd, loomed a deformed crib, on the verge of collapse, due to the excessive application of a weight five times the recommended limit. Around Todd, lay an assortment of children’s toys- a zebra that sung lullabies if yanked hard enough, a plastic train, far from its rails, and a Peekaboo bear that had since recently been coloured a light blue.

“You gotta be kidding me… All over our brand new carp- Sandra!”

“Coming darling,”

“Could you get Emmie.” Dan stood in the doorway of the baby- pink room that was once meant to serve much more purpose than for a homeless brother’s palette. There was little else that the poor man could do but gape at the appalling mess.

“Look Mum! Peakaboo has got fish on him!” A set of light- blue eyes peeped into the room momentarily before responding with the same shocked face.

“Come on Emmie… We have to… leave.”

A set of perpetrating brown eyes remained, glaring down at the mess.

“On my bloody birthda- Jesus! Is that fish?” There was a sigh, that had been motivated by somewhat more intention than to release air. “Look Todd, I’m sorry- but it’s just too much… and, our girl’s also just getting too old, she needs her own room now. We need her own room now.” They both knew what that meant. A drip of saliva and a solitary tear also added to the mess. Todd didn’t know what else to do but to avoid his brother’s eyes and blubber in shame.



Sun and saltwater. Todd didn’t like what was reflected- an old, cold man with peeling skin, and long greasy hair, doubled- Todd was yet to recover from the night. There was silence, except of course for the thrashing of waves and the scuttling of a petrified crab caught in a net beneath him. But suddenly- a creaking. Not just, the creaking of the jetty. Not just, the creaking of approaching footsteps. But, the creaking, of a newfound passion, set alight in Todd’s heart.

“Ya’ don’t mind if I sit here mate?” The stranger asked. Attached to his back were a set of rods and a bucket.

“Nyesh”

This resulted in a frown, but nonethless, the man planted his bag on the jetty and spent a moment attaching some bait before throwing out the line. About twenty minutes passed, and there was not one tug. Meanwhile Todd glared into the sea. He could even see the fish.

“Would ya’ be able to hold ma’ rod for a sec’ while I just grab my crabs mate?” Todd did so much as to nod, and the companion passed the rod, and walked down the jetty momentarily to fish out a buoy and heave up a net.
As soon as the man had left, Todd felt a violent vibrating in his shoulder.

“Feeeeesh! Feeeeeesh! ‘Hot shoooood I doooooo!” Becoming more fierce, Todd staggered upwards, his feet spreading, grinding into the edge of the jetty.

“Feeeeeeeeeeesh! Feeeeeeeeeeesh! Hilppppppppp!” Dissatisfied with the lone crab, Todd’s companion had thrown the net back in the sea. It took a moment before the man’s mouth drooped wide open, before he began hollering ecstatically as he sprinted towards Todd. Slamming Todd backwards with intense force- the fish plummeted far beyond the water, eventually shattering the wooden surface of the jetty into splinters.

Behold, the ten foot, five hundred kilo catfish! Todd's companion stood on the deck yodelling, while Todd, lay on the jetty, winded, incapable of any form of movement, and unaware of what his life was to become.


Waking up in a hangover on a Sunday afternoon isn’t the ideal lifestyle of a fifty- two year old land mammal. Arguably, Todd wasn’t really a land mammal anymore. He spent most of his time inhabiting the seas. Nor did Todd really wake up.

On this special day, Dan, Sandra, and not so little Emmie, and all their relatives, friends, friend’s relatives, and relative’s friends, celebrated atop of the world’s finest four- story fishing boat. Two decks for parties and functions, and two decks just for fishing- with fishing nets, that stretched further then any jetty, and a crab net the size of Emmie’s room- not her old one, the one in Dan’s new house. There was a chinking on a wine glass announcing a speech.

“Cheers to the new year. A year more prosperous than ever.

I would have never dreamed of living in such an amazing abode.

Nor setting sail in the actual Titanic but for fish.

Nor spending my Sunday afternoons with all a thousand of you”

There was a rowdy applause, as if one were to announce that they had won a million dollars. Dan chinked the wine glass again. He cleared his throat:

“To my brother, Todd- thank you!” The party resumed.

Amidst all the dancing, and clapping and screaming, Dan peered over at his brother, who lay motionless, with dark shades on. His long, greasy hair was slicked back, and his head suspended backwards. Dan chuckled and turned away to talk to his wife’s great aunt’s uncle’s best mate from high school. Meanwhile, Todd remained at his arm chair. He in fact, was not drunk, nor hungover, nor braindead- he was simply, dead.

elysepopplewell

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Re: Free AOS Creative Writing Marking!
« Reply #410 on: October 17, 2016, 01:19:43 pm »
Hi :) Just a random creative piece I wrote:


Hey Otto.Khoo! Welcome to the forums :) Are you in the 2017 graduating class?
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kb123

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Re: Free AOS Creative Writing Marking!
« Reply #411 on: October 20, 2016, 04:58:38 pm »
Hi!

Is the requirement for marking English essays/creatives back down to 15 yet?

:)

jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #412 on: October 20, 2016, 05:02:39 pm »
Hi!

Is the requirement for marking English essays/creatives back down to 15 yet?

:)

It definitely is! English rush is over so definitely back down to 15 now :)

elysepopplewell

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Re: Free AOS Creative Writing Marking!
« Reply #413 on: October 21, 2016, 03:14:38 pm »
Here is my second draft of my creative writing short story for discovery. After handing in my first draft, my teacher said that the discovery is not obvious enough... In my opinion the physical discovery of metal in the pyramids is obvious and the impact that discovery can invoke on the world, but maybe I could write more on the emotional discovery closer to the end of the story... She also said i needed an extended metaphor- any tips what do do for that?What do you think? Any other advice on how to improve the story and maybe areas I could cut out or change to maximise marks?

Thanks for your time in advance, here it is:


Heya! I'll take a little look at this one now for you :)

Spoiler
Placing the florescent fluorescent* lamp onto the rocky earth, Vitaly slipped his back pack, full of tools, off his tense shoulders. His muscles let out a cry of relief as they relaxed.  His lungs however, did not cooperate with the hot, humid air around him while his back screamed in protest to the metre-high limestone tunnel he had duck-walked through in order reach his destination. Thank God he wasn’t a tall man, his spine would have ripped apart from the constant strain. His clothes and hazel hair were ruffled and the airborne dust mixed with the sticky sweat on his skin, painting his face and limbs a light brown. He didn’t care to wipe it away – he was finally there. His many months of planning were at last put to action – he could now uncover what lay underneath the 6.5-million-ton pyramid that had stood still, unchanged for thousands of years. This is just the right amount of imagery. I wouldn't go any more or else it seems verbose and a little too complicated, it's right on the borderline right now, and it really works!
Taking out a small stone pick axe, he commenced chipping away at the walls around him. The stone crumbled away like dry cookies, building up small mountains of sand granules near his booted feet. Vitaly had never felt so peaceful in his life – he was away from the auditorium, hundreds of kilometres away from his foolish American colleagues… Colleagues that never even tried to consider his theories.
He could taste anger starting to form on his tongue. I like this!
Evidence! Egyptians built electric circuits? They lived in the stone age!!! In your dreams. EVIDENCE! Russians and their crazy ideas…
 “Just you all wait until I come back with the proof.” Vitaly hissed under his breath, slamming the pick into the wall with all his strength.
He had stopped arguing with those idiots long ago. They would have only dragged him down to their level and won over him with experience. How could they compare to him? They were only historians. They didn’t have a PhD in engineering as well like himself – they couldn’t comprehend his extraordinary theories.
He continued to hammer at the rock, particles of dust scratching at his nostrils as he breathed. The sound of metal grinding against the stone filled his ears, while the tendons in his arm pulsed with exhaustion.
Krrrgh… Krrgh… Krrgh-
Vitaly’s pick did not budge after the final blow. For a few seconds, he stopped breathing as a waterfall of adrenalin flooded his body. Leaning closer towards the rock, he observed the pick – it had a thick, thread-like object constraining its movement. His fingers caressed the surface of the cable- it was smooth, as though Vitaly was stroking a thick copper wire.
This was it. He had found it. The evidence he needed to prove his theory that the pyramids were used as electric circuits by the “primeval” Egyptians.
“DAAAAA!” he yelled, his voice sending echoes through the tunnel. “Nakonetsto*!”
At double the speed, he hacked away at the stone. He could no longer feel any pain in his worn-out body, as though he had taken a robust pain killer. Chiselling more and more of the rock away, he uncovered a vast web of metal wires that interwove between the slabs of sandstone like veins in the human body. oooh, this is great.
Vitaly snorted, the sides of his mouth creeping up his cheeks. Haha! Those Americans… They think they are so cool, they can’t even consider that Egyptians could have had technology such as this. But then he guessed it’s easier to quote the history books, than have the courage to say something original. His discovery was going to turn Egyptian history as we know on trial.
Placing the pick down, he took out a camera from his back pack and took a myriad of photos.
“Here’s your evidence, ubliudki*” Vitaly chuckled as he began to pack up and make his trip back into the outside world.  You've created a really strong voice for Vitaly at this point: determined, somewhat self-superior, excited, and again, determined.
*** 
“Evidence? Hmmm…” questioned the Head of the History department, a man in a black suit that looked as though it would rip apart any second, his sausages of fingers stroking a granite model of a pyramid as he sat at an archaic mahogany desk. The office was bordered with shelves upon shelves of antique history books, their titles obscured by a haze of grey smoke. An owl resided in a tarnished silver cage in the corner of the room. Its wide eyes were rimmed with glistening sadness - it looked as if the bird was weeping.  Incredibly imagery!
The fat man’s head cocked to one side as he ran through the photos on Vitaly’s camera, a glowing cigarette bobbing up and down in his mouth. Vitaly could see that the man still didn’t believe him through the way his eyebrows rose and lips tightened. How many times he had seen that look, he had lost count. Vitaly’s teeth grinded against each other, creating a repulsive screech - if the man knew how much Vitaly hated him, he’d love him for holding it in.
“Show it to______??? they might be interested.” A quite cackle escaped the man’s thick-lipped mouth as he slid back Vitaly’s camera along the desk.
His cheeks burning with fury, Vitaly snatched his camera and stomped out of the office.
He couldn’t believe it…
…yet he had seen it coming.
The apprehension that no mainstream historian would ever consider his theories had soaked into his brain like water through a sponge. His theories, if developed, would put an army of historians to shame. Who would want that? Change is not something humans favour. Nor being told they are wrong. Vitaly let out a sigh of disgust.
“Their conventional views protect them from the painful job of thinking.” Vitaly thought to himself, trying to make himself feel better.
Humans… Why are you so stubborn?
Vitaly realised he was being hypocritical. Nevertheless, it pained him to learn that no one would even consider his views, sweeping them away like dust under a carpet.
People are like the pyramids… They stand still in on their foundations, resisting any movement from their footing.

The physical discovery is clear and wonderful - so that's great. If you were going to do the extended metaphor thing, I think you just need a littttttle bit more prevalence on the pyramids throughout, and that could be your vehicle for metaphor. Perhaps it could be that he admires the pyramids for their stability all this time, and then at the end, he realises what he loves in the pyramids, he hates in people. Their lack of change. This could work really well. It's about building up the admiration for the pyramids, only to have it dropped at the end. That'll impact the intellectual discovery, as well as even the emotional discovery, I think! I really think that your teacher is on the money with the extended metaphor. The pyramids become a motif for both stability and emotion, and the perspective of Vitaly on both of those things will alter throughout, thus indicating his discovery! What do you think?
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elysepopplewell

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Re: Free AOS Creative Writing Marking!
« Reply #414 on: October 22, 2016, 05:18:56 pm »
Thank you so much for your feedback!!! It is wonderful!!!
I'll work on integrating your fab idea regarding the pyramids into my story ASAP and will get back to you after I finish it off!
Thanks so much again!

I'm super keen to see it! Out of curiosity, are you in the 2017 class? If so, you're doing a mighty fine job getting ahead on the creative!!
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kb123

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Re: Free AOS Creative Writing Marking!
« Reply #415 on: October 22, 2016, 06:36:55 pm »
I'm super keen to see it! Out of curiosity, are you in the 2017 class? If so, you're doing a mighty fine job getting ahead on the creative!!

Yep, I'm in the 2017 class :) My goal is to get in the top 3 ranks for Advanced English in my school, so I'm trying to get my creative nailed down asap, plus our exam in week 5 is the creative.

Just a quick question - posting the same creative again will cost me another 15 of my posts right?

jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #416 on: October 23, 2016, 01:50:00 am »
Yep, I'm in the 2017 class :) My goal is to get in the top 3 ranks for Advanced English in my school, so I'm trying to get my creative nailed down asap, plus our exam in week 5 is the creative.

Just a quick question - posting the same creative again will cost me another 15 of my posts right?

That's right! So you're best to take it away and really think about the feedback, do a nice bit of work on it to make that next 15 worthwhile ;D

kb123

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Re: Free AOS Creative Writing Marking!
« Reply #417 on: October 23, 2016, 03:12:08 pm »
That's right! So you're best to take it away and really think about the feedback, do a nice bit of work on it to make that next 15 worthwhile ;D

ok dokey thanks for the warning :)

kb123

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Re: Free AOS Creative Writing Marking!
« Reply #418 on: October 23, 2016, 04:14:47 pm »
Heya! I'll take a little look at this one now for you :)

Spoiler
Placing the florescent fluorescent* lamp onto the rocky earth, Vitaly slipped his back pack, full of tools, off his tense shoulders. His muscles let out a cry of relief as they relaxed.  His lungs however, did not cooperate with the hot, humid air around him while his back screamed in protest to the metre-high limestone tunnel he had duck-walked through in order reach his destination. Thank God he wasn’t a tall man, his spine would have ripped apart from the constant strain. His clothes and hazel hair were ruffled and the airborne dust mixed with the sticky sweat on his skin, painting his face and limbs a light brown. He didn’t care to wipe it away – he was finally there. His many months of planning were at last put to action – he could now uncover what lay underneath the 6.5-million-ton pyramid that had stood still, unchanged for thousands of years. This is just the right amount of imagery. I wouldn't go any more or else it seems verbose and a little too complicated, it's right on the borderline right now, and it really works!
Taking out a small stone pick axe, he commenced chipping away at the walls around him. The stone crumbled away like dry cookies, building up small mountains of sand granules near his booted feet. Vitaly had never felt so peaceful in his life – he was away from the auditorium, hundreds of kilometres away from his foolish American colleagues… Colleagues that never even tried to consider his theories.
He could taste anger starting to form on his tongue. I like this!
Evidence! Egyptians built electric circuits? They lived in the stone age!!! In your dreams. EVIDENCE! Russians and their crazy ideas…
 “Just you all wait until I come back with the proof.” Vitaly hissed under his breath, slamming the pick into the wall with all his strength.
He had stopped arguing with those idiots long ago. They would have only dragged him down to their level and won over him with experience. How could they compare to him? They were only historians. They didn’t have a PhD in engineering as well like himself – they couldn’t comprehend his extraordinary theories.
He continued to hammer at the rock, particles of dust scratching at his nostrils as he breathed. The sound of metal grinding against the stone filled his ears, while the tendons in his arm pulsed with exhaustion.
Krrrgh… Krrgh… Krrgh-
Vitaly’s pick did not budge after the final blow. For a few seconds, he stopped breathing as a waterfall of adrenalin flooded his body. Leaning closer towards the rock, he observed the pick – it had a thick, thread-like object constraining its movement. His fingers caressed the surface of the cable- it was smooth, as though Vitaly was stroking a thick copper wire.
This was it. He had found it. The evidence he needed to prove his theory that the pyramids were used as electric circuits by the “primeval” Egyptians.
“DAAAAA!” he yelled, his voice sending echoes through the tunnel. “Nakonetsto*!”
At double the speed, he hacked away at the stone. He could no longer feel any pain in his worn-out body, as though he had taken a robust pain killer. Chiselling more and more of the rock away, he uncovered a vast web of metal wires that interwove between the slabs of sandstone like veins in the human body. oooh, this is great.
Vitaly snorted, the sides of his mouth creeping up his cheeks. Haha! Those Americans… They think they are so cool, they can’t even consider that Egyptians could have had technology such as this. But then he guessed it’s easier to quote the history books, than have the courage to say something original. His discovery was going to turn Egyptian history as we know on trial.
Placing the pick down, he took out a camera from his back pack and took a myriad of photos.
“Here’s your evidence, ubliudki*” Vitaly chuckled as he began to pack up and make his trip back into the outside world.  You've created a really strong voice for Vitaly at this point: determined, somewhat self-superior, excited, and again, determined.
*** 
“Evidence? Hmmm…” questioned the Head of the History department, a man in a black suit that looked as though it would rip apart any second, his sausages of fingers stroking a granite model of a pyramid as he sat at an archaic mahogany desk. The office was bordered with shelves upon shelves of antique history books, their titles obscured by a haze of grey smoke. An owl resided in a tarnished silver cage in the corner of the room. Its wide eyes were rimmed with glistening sadness - it looked as if the bird was weeping.  Incredibly imagery!
The fat man’s head cocked to one side as he ran through the photos on Vitaly’s camera, a glowing cigarette bobbing up and down in his mouth. Vitaly could see that the man still didn’t believe him through the way his eyebrows rose and lips tightened. How many times he had seen that look, he had lost count. Vitaly’s teeth grinded against each other, creating a repulsive screech - if the man knew how much Vitaly hated him, he’d love him for holding it in.
“Show it to______??? they might be interested.” A quite cackle escaped the man’s thick-lipped mouth as he slid back Vitaly’s camera along the desk.
His cheeks burning with fury, Vitaly snatched his camera and stomped out of the office.
He couldn’t believe it…
…yet he had seen it coming.
The apprehension that no mainstream historian would ever consider his theories had soaked into his brain like water through a sponge. His theories, if developed, would put an army of historians to shame. Who would want that? Change is not something humans favour. Nor being told they are wrong. Vitaly let out a sigh of disgust.
“Their conventional views protect them from the painful job of thinking.” Vitaly thought to himself, trying to make himself feel better.
Humans… Why are you so stubborn?
Vitaly realised he was being hypocritical. Nevertheless, it pained him to learn that no one would even consider his views, sweeping them away like dust under a carpet.
People are like the pyramids… They stand still in on their foundations, resisting any movement from their footing.

The physical discovery is clear and wonderful - so that's great. If you were going to do the extended metaphor thing, I think you just need a littttttle bit more prevalence on the pyramids throughout, and that could be your vehicle for metaphor. Perhaps it could be that he admires the pyramids for their stability all this time, and then at the end, he realises what he loves in the pyramids, he hates in people. Their lack of change. This could work really well. It's about building up the admiration for the pyramids, only to have it dropped at the end. That'll impact the intellectual discovery, as well as even the emotional discovery, I think! I really think that your teacher is on the money with the extended metaphor. The pyramids become a motif for both stability and emotion, and the perspective of Vitaly on both of those things will alter throughout, thus indicating his discovery! What do you think?

Hi again -
Is it ok for you to delete my story off the forum just to reduce any risk of plagiarism? I just don't want to have my idea stolen...
Thanks :)

jamonwindeyer

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Re: Free AOS Creative Writing Marking!
« Reply #419 on: October 23, 2016, 11:58:48 pm »
Hi again -
Is it ok for you to delete my story off the forum just to reduce any risk of plagiarism? I just don't want to have my idea stolen...
Thanks :)

The rationale behind these threads is to develop a collection of student works and feedback. Students like you who submit their work get personalised feedback (that hopefully helps you improve your results, yay!); and other students get the benefit of having a read of what other people are doing, and seeing what works and what doesn't. Kind of like a collection of exemplars, only we have a portfolio of responses that cover a variety of performance ranges :)

For this reason, we don't delete the pieces once the feedback has been given. That's part of the idea. We've never had any issues with plagiarism in the NSW forums though, so you don't have to worry! You can send me a personal message if you want to chat about this further though, I'd be happy to, just click on my profile name and click "Send PM" underneath my picture :)