Login

Welcome, Guest. Please login or register.

September 12, 2025, 02:03:10 pm

Author Topic: Modern History Essay Marking  (Read 121102 times)

0 Members and 1 Guest are viewing this topic.

jakesilove

  • HSC Lecturer
  • Honorary Moderator
  • Part of the furniture
  • *******
  • Posts: 1941
  • "Synergising your ATAR potential"
Re: Modern History Essay Marking
« Reply #75 on: October 18, 2016, 12:34:05 pm »
This is a practise essay for Evaluate the significance of the personality you have studied to his/her period of national and/or international history. Just hoping someone could read through it and give me any suggestions? Also, its a little over 700 words, wondering if that's okay for a part b) response.
Thanks:)

Hey! I didn't do Leni, but check out my general comments below :)

Original Essay
Spoiler
Evaluate the significance of the personality you have studied to his/her period of national and/or international history.
Throughout human history, certain individuals stand out as significant due to the role they played in key historical events and the impact they had in the context of their time. This is particularly true in the case of German actress and filmmaker Leni Riefenstahl, noteworthy for the key role she played in the promotion of Nazi ideology through propaganda in the Third Reich and her artistic skill and the pioneering cinematic nature of her films. Through an analysis of Riefenstahl’s filmic career and the part she played within the Nazi regime, the extent of Riefenstahl’s significance to both German national and international history may be established.
Long before Riefenstahl’s significance in German or international history was considered, Riefenstahl’s significance in her contribution to the history of the film industry was recognised. Her films became noted for the innovative techniques they showcased, evidenced in her use of unusual camera angles and use of lighting in her 1934 film of the Nuremberg Rallies Triumph of the Will, which was awarded several prizes, not just in Germany but also receiving an award at the 1937 Paris Worlds Fair. Her pioneering use of moving cameras, aerial photography, long focus lenses and revolutionary approach to the combination of music and visuals established Riefenstahl as a successful filmmaker, yet the significance of her work would have been limited if it were not for the context in which she worked. According to Rother, without the Nazi regime, Riefenstahl’s career would be no more than ‘interesting.’
Of far greater significance, however, is Riefenstahl’s involvement in the promotion of Nazi ideology and her relationship with Adolf Hitler. Realising Riefenstahl’s talent for filmmaking and her willingness to produce his films, Hitler met with Riefenstahl in 1933 and commissioned her to produce films of the Nuremberg Nazi Party rallies. Hitler had already begun to exploit the media in his production of propaganda which supported Nazi ideology and presented the Nazi cause, and Hitler himself, in a favourable light, primarily through the institution of the Reich Ministry of Propaganda and Public Enlightenment headed by Goebbels. The first of Riefenstahl’s Nazi commissioned films, Victory of Faith, depicted the rally of 1933, whilst her second, and most noteworthy Triumph of the Will, was shot at the Nuremberg Rally in 1934, and is seen today as one of the most skilfully made propaganda films of all time. Given free-reign over artistic and organisational concerns for the project, Riefenstahl produced a powerful visual piece featuring carefully rehearsed movements and elaborate scenes promoting the supposed unity of the German people under the direction of their Fuhrer, who was depicted as a heroic, almost god-like figure.
In 1935, Hitler privately commissioned Riefenstahl to create her ambitious film of the 1936 Olympic Games. Riefenstahl’s film forms historic significance due to the insights it reveals into the Nazi regime and its goals. The film primarily focusses on the physical strength and beauty of the athletes themselves,  historian Susan Sontag claiming that such a focus, also typical of Riefenstahl’s later films of the Nuba, reveal a strong Fascist aesthetic with its focus on Aryan strength and physical form, reinforced by the name of part two of Riefenstahl’s film Festival of Beauty. Frequent images of Hitler himself overseeing the games, complimented by the cheering of the crowds, further promotes the view Hitler evidently wished to present to the world at this stage of history: a strong and thriving people united by their Fuhrer. Thus, Riefenstahl’s film takes on the significance of more than simply an example of Nazi propaganda, but reveals to an extent the values of the German nation of the mid-1930s and the nature of Nazi ideology.
Leni Riefenstahl thus becomes a figure of significance in the history of both the German nation, and internationally. Whilst the innovative techniques Riefenstahl employed within her work gave her limited significance within the film industry, it was Riefenstahl’s role in the creation of propaganda and the era in which her films were created which give her significance on both a national and international level. The impact of her propaganda films on the German people of her time, their promotion of Nazi ideology and the insight they provide into the nature of the Nazi regime and the diplomatic goals of Hitler himself thus ensure Riefenstahl and her work maintain a lasting importance.

Essay with Comments
Spoiler
Evaluate the significance of the personality you have studied to his/her period of national and/or international history.

Throughout human history, certain individuals stand out as significant due to the role they played in key historical events and the impact they had in the context of their time. This is particularly true in the case of German actress and filmmaker Leni Riefenstahl, noteworthy for the key role she played in the promotion of Nazi ideology through propaganda in the Third Reich and her artistic skill and the pioneering cinematic nature of her films. Your introduction to her is great, but I think it could be stronger. 'the prominent German actress and influential filmmaker' etc.; use more buzzwords if possible! Through an analysis of Riefenstahl’s filmic is this the right word? It might be, I just haven't used it before! career and the part she played within the Nazi regime, the extent of Riefenstahl’s significance to both German national and international history may be established.
 
Long before Riefenstahl’s significance in German or international history was considered, Riefenstahl’s significance in her contribution to the history of the film industry was recognised. So then why are you using this to answer the question? Either link it to the question, or don't use it Her films became noted for the innovative techniques they showcased, evidenced in her use of unusual camera angles and use of lighting in her 1934 film of the Nuremberg Rallies Triumph of the Will, which was awarded several prizes, not just in Germany but also receiving an award at the 1937 Paris Worlds Fair. Can you get a bit more specific here? What are the names of the awards? Any other specific years? Details?  Her pioneering use of moving cameras, aerial photography, long focus lenses and revolutionary approach to the combination of music and visuals established Riefenstahl as a successful filmmaker, yet the significance of her work would have been limited if it were not for the context in which she worked. According to Rother, without the Nazi regime, Riefenstahl’s career would be no more than ‘interesting.’ Nice. Just so it's clear, this is a really great essay, I'm just trying to get you to think about some additional factors so that when you sit the exam, you might use one or two of my suggestions :)

Of far greater significance, however, is Riefenstahl’s involvement in the promotion of Nazi ideology and her relationship with Adolf Hitler. Realising Riefenstahl’s talent for filmmaking and her willingness to produce his films, Hitler met with Riefenstahl in 1933 Month? This is actually significant. and commissioned her to produce films of the Nuremberg Nazi Party rallies. Hitler had already begun to exploit the media in his production of propaganda which supported Nazi ideology and presented the Nazi cause, and Hitler himself, in a favourable light, primarily through the institution of the Reich Ministry of Propaganda and Public Enlightenment headed by Goebbels. Can you throw in more detail here? How did he exploit the media? Radio? Television? How many listeners? The first of Riefenstahl’s Nazi commissioned films, Victory of Faith, depicted the rally of 1933, whilst her second, and most noteworthy Triumph of the Will, was shot at the Nuremberg Rally in 1934, and is seen today as one of the most skilfully made propaganda films of all time. Given free-reign over artistic and organisational concerns for the project, Riefenstahl produced a powerful visual piece featuring carefully rehearsed movements and elaborate scenes promoting the supposed unity of the German people under the direction of their Fuhrer, who was depicted as a heroic, almost god-like figure. In answer to the question, would you say she was particularly significant? Or was she just a puppet of Hitler, who could have been replaced by anyone? Try to introduce nuance in your response; markers love that shit

In 1935, Hitler privately commissioned Riefenstahl to create her ambitious film of the 1936 Olympic Games. Riefenstahl’s film forms historic significance due to the insights it reveals into the Nazi regime and its goals. The film primarily focusses on the physical strength and beauty of the athletes themselves,  historian Susan Sontag claiming that such a focus, also typical of Riefenstahl’s later films of the Nuba, reveal a strong Fascist aesthetic with its focus on Aryan strength and physical form, reinforced by the name of part two of Riefenstahl’s film Festival of Beauty. Frequent images of Hitler himself overseeing the games, complimented by the cheering of the crowds, further promotes the view Hitler evidently wished to present to the world at this stage of history: a strong and thriving people united by their Fuhrer. Thus, Riefenstahl’s film takes on the significance of more than simply an example of Nazi propaganda, but reveals to an extent the values of the German nation of the mid-1930s and the nature of Nazi ideology. Love this last part. Just make sure to use the words of the question to link it back to your thesis; really great stuff though

Leni Riefenstahl thus becomes a figure of significance in the history of both the German nation, and internationally. Whilst the innovative techniques Riefenstahl employed within her work gave her limited significance within the film industry, it was Riefenstahl’s role in the creation of propaganda and the era in which her films were created which give her significance on both a national and international level. The impact of her propaganda films on the German people of her time, their promotion of Nazi ideology and the insight they provide into the nature of the Nazi regime and the diplomatic goals of Hitler himself thus ensure Riefenstahl and her work maintain a lasting importance.

Great response. Really quite brilliant, you're going to do great in the exam. My comments above are just extra things to think about, small things that would improve the response slightly. Totally up to you whether you want to take them on board, though, because the essay is great! I wouldn't worry about the word count, you should be able to get through it all. You'll do great; relax, get some sleep, and good luck :)


Jake
ATAR: 99.80

Mathematics Extension 2: 93
Physics: 93
Chemistry: 93
Modern History: 94
English Advanced: 95
Mathematics: 96
Mathematics Extension 1: 98

Studying a combined Advanced Science/Law degree at UNSW

imtrying

  • Trendsetter
  • **
  • Posts: 115
Re: Modern History Essay Marking
« Reply #76 on: October 18, 2016, 12:39:33 pm »
Hey! I didn't do Leni, but check out my general comments below :)

Original Essay
Spoiler
Evaluate the significance of the personality you have studied to his/her period of national and/or international history.
Throughout human history, certain individuals stand out as significant due to the role they played in key historical events and the impact they had in the context of their time. This is particularly true in the case of German actress and filmmaker Leni Riefenstahl, noteworthy for the key role she played in the promotion of Nazi ideology through propaganda in the Third Reich and her artistic skill and the pioneering cinematic nature of her films. Through an analysis of Riefenstahl’s filmic career and the part she played within the Nazi regime, the extent of Riefenstahl’s significance to both German national and international history may be established.
Long before Riefenstahl’s significance in German or international history was considered, Riefenstahl’s significance in her contribution to the history of the film industry was recognised. Her films became noted for the innovative techniques they showcased, evidenced in her use of unusual camera angles and use of lighting in her 1934 film of the Nuremberg Rallies Triumph of the Will, which was awarded several prizes, not just in Germany but also receiving an award at the 1937 Paris Worlds Fair. Her pioneering use of moving cameras, aerial photography, long focus lenses and revolutionary approach to the combination of music and visuals established Riefenstahl as a successful filmmaker, yet the significance of her work would have been limited if it were not for the context in which she worked. According to Rother, without the Nazi regime, Riefenstahl’s career would be no more than ‘interesting.’
Of far greater significance, however, is Riefenstahl’s involvement in the promotion of Nazi ideology and her relationship with Adolf Hitler. Realising Riefenstahl’s talent for filmmaking and her willingness to produce his films, Hitler met with Riefenstahl in 1933 and commissioned her to produce films of the Nuremberg Nazi Party rallies. Hitler had already begun to exploit the media in his production of propaganda which supported Nazi ideology and presented the Nazi cause, and Hitler himself, in a favourable light, primarily through the institution of the Reich Ministry of Propaganda and Public Enlightenment headed by Goebbels. The first of Riefenstahl’s Nazi commissioned films, Victory of Faith, depicted the rally of 1933, whilst her second, and most noteworthy Triumph of the Will, was shot at the Nuremberg Rally in 1934, and is seen today as one of the most skilfully made propaganda films of all time. Given free-reign over artistic and organisational concerns for the project, Riefenstahl produced a powerful visual piece featuring carefully rehearsed movements and elaborate scenes promoting the supposed unity of the German people under the direction of their Fuhrer, who was depicted as a heroic, almost god-like figure.
In 1935, Hitler privately commissioned Riefenstahl to create her ambitious film of the 1936 Olympic Games. Riefenstahl’s film forms historic significance due to the insights it reveals into the Nazi regime and its goals. The film primarily focusses on the physical strength and beauty of the athletes themselves,  historian Susan Sontag claiming that such a focus, also typical of Riefenstahl’s later films of the Nuba, reveal a strong Fascist aesthetic with its focus on Aryan strength and physical form, reinforced by the name of part two of Riefenstahl’s film Festival of Beauty. Frequent images of Hitler himself overseeing the games, complimented by the cheering of the crowds, further promotes the view Hitler evidently wished to present to the world at this stage of history: a strong and thriving people united by their Fuhrer. Thus, Riefenstahl’s film takes on the significance of more than simply an example of Nazi propaganda, but reveals to an extent the values of the German nation of the mid-1930s and the nature of Nazi ideology.
Leni Riefenstahl thus becomes a figure of significance in the history of both the German nation, and internationally. Whilst the innovative techniques Riefenstahl employed within her work gave her limited significance within the film industry, it was Riefenstahl’s role in the creation of propaganda and the era in which her films were created which give her significance on both a national and international level. The impact of her propaganda films on the German people of her time, their promotion of Nazi ideology and the insight they provide into the nature of the Nazi regime and the diplomatic goals of Hitler himself thus ensure Riefenstahl and her work maintain a lasting importance.

Essay with Comments
Spoiler
Evaluate the significance of the personality you have studied to his/her period of national and/or international history.

Throughout human history, certain individuals stand out as significant due to the role they played in key historical events and the impact they had in the context of their time. This is particularly true in the case of German actress and filmmaker Leni Riefenstahl, noteworthy for the key role she played in the promotion of Nazi ideology through propaganda in the Third Reich and her artistic skill and the pioneering cinematic nature of her films. Your introduction to her is great, but I think it could be stronger. 'the prominent German actress and influential filmmaker' etc.; use more buzzwords if possible! Through an analysis of Riefenstahl’s filmic is this the right word? It might be, I just haven't used it before! career and the part she played within the Nazi regime, the extent of Riefenstahl’s significance to both German national and international history may be established.
 
Long before Riefenstahl’s significance in German or international history was considered, Riefenstahl’s significance in her contribution to the history of the film industry was recognised. So then why are you using this to answer the question? Either link it to the question, or don't use it Her films became noted for the innovative techniques they showcased, evidenced in her use of unusual camera angles and use of lighting in her 1934 film of the Nuremberg Rallies Triumph of the Will, which was awarded several prizes, not just in Germany but also receiving an award at the 1937 Paris Worlds Fair. Can you get a bit more specific here? What are the names of the awards? Any other specific years? Details?  Her pioneering use of moving cameras, aerial photography, long focus lenses and revolutionary approach to the combination of music and visuals established Riefenstahl as a successful filmmaker, yet the significance of her work would have been limited if it were not for the context in which she worked. According to Rother, without the Nazi regime, Riefenstahl’s career would be no more than ‘interesting.’ Nice. Just so it's clear, this is a really great essay, I'm just trying to get you to think about some additional factors so that when you sit the exam, you might use one or two of my suggestions :)

Of far greater significance, however, is Riefenstahl’s involvement in the promotion of Nazi ideology and her relationship with Adolf Hitler. Realising Riefenstahl’s talent for filmmaking and her willingness to produce his films, Hitler met with Riefenstahl in 1933 Month? This is actually significant. and commissioned her to produce films of the Nuremberg Nazi Party rallies. Hitler had already begun to exploit the media in his production of propaganda which supported Nazi ideology and presented the Nazi cause, and Hitler himself, in a favourable light, primarily through the institution of the Reich Ministry of Propaganda and Public Enlightenment headed by Goebbels. Can you throw in more detail here? How did he exploit the media? Radio? Television? How many listeners? The first of Riefenstahl’s Nazi commissioned films, Victory of Faith, depicted the rally of 1933, whilst her second, and most noteworthy Triumph of the Will, was shot at the Nuremberg Rally in 1934, and is seen today as one of the most skilfully made propaganda films of all time. Given free-reign over artistic and organisational concerns for the project, Riefenstahl produced a powerful visual piece featuring carefully rehearsed movements and elaborate scenes promoting the supposed unity of the German people under the direction of their Fuhrer, who was depicted as a heroic, almost god-like figure. In answer to the question, would you say she was particularly significant? Or was she just a puppet of Hitler, who could have been replaced by anyone? Try to introduce nuance in your response; markers love that shit

In 1935, Hitler privately commissioned Riefenstahl to create her ambitious film of the 1936 Olympic Games. Riefenstahl’s film forms historic significance due to the insights it reveals into the Nazi regime and its goals. The film primarily focusses on the physical strength and beauty of the athletes themselves,  historian Susan Sontag claiming that such a focus, also typical of Riefenstahl’s later films of the Nuba, reveal a strong Fascist aesthetic with its focus on Aryan strength and physical form, reinforced by the name of part two of Riefenstahl’s film Festival of Beauty. Frequent images of Hitler himself overseeing the games, complimented by the cheering of the crowds, further promotes the view Hitler evidently wished to present to the world at this stage of history: a strong and thriving people united by their Fuhrer. Thus, Riefenstahl’s film takes on the significance of more than simply an example of Nazi propaganda, but reveals to an extent the values of the German nation of the mid-1930s and the nature of Nazi ideology. Love this last part. Just make sure to use the words of the question to link it back to your thesis; really great stuff though

Leni Riefenstahl thus becomes a figure of significance in the history of both the German nation, and internationally. Whilst the innovative techniques Riefenstahl employed within her work gave her limited significance within the film industry, it was Riefenstahl’s role in the creation of propaganda and the era in which her films were created which give her significance on both a national and international level. The impact of her propaganda films on the German people of her time, their promotion of Nazi ideology and the insight they provide into the nature of the Nazi regime and the diplomatic goals of Hitler himself thus ensure Riefenstahl and her work maintain a lasting importance.

Great response. Really quite brilliant, you're going to do great in the exam. My comments above are just extra things to think about, small things that would improve the response slightly. Totally up to you whether you want to take them on board, though, because the essay is great! I wouldn't worry about the word count, you should be able to get through it all. You'll do great; relax, get some sleep, and good luck :)


Jake

Thank you! This seriously helps so much:)
Year 12 2016 (94.20)
English (Adv), Maths Ext.1, Modern History, Biology and Physics

atar27

  • Forum Regular
  • **
  • Posts: 53
Re: Modern History Essay Marking
« Reply #77 on: October 18, 2016, 06:20:21 pm »
Hey, how do you guys suggest we study for the essays? I have plans from past papers, but what now?
I do Germany and conflict in Europe!

jakesilove

  • HSC Lecturer
  • Honorary Moderator
  • Part of the furniture
  • *******
  • Posts: 1941
  • "Synergising your ATAR potential"
Re: Modern History Essay Marking
« Reply #78 on: October 18, 2016, 08:54:20 pm »
Hey, how do you guys suggest we study for the essays? I have plans from past papers, but what now?
I do Germany and conflict in Europe!

Hey! At this stage, I think any study you've done is going to be enough. Revise your notes, think about how you would answer various questions, and have an early night. You've studied as much as you think appropriate, and that's all that's important. Now isn't the time to start studying different; it's a time to reflect on your past results, to think about where you need to focus in tomorrow's exam, and most importantly getting it over and done with!
ATAR: 99.80

Mathematics Extension 2: 93
Physics: 93
Chemistry: 93
Modern History: 94
English Advanced: 95
Mathematics: 96
Mathematics Extension 1: 98

Studying a combined Advanced Science/Law degree at UNSW

atar27

  • Forum Regular
  • **
  • Posts: 53
Re: Modern History Essay Marking
« Reply #79 on: October 18, 2016, 09:28:16 pm »
Thanks jake :)

tennis1

  • Trailblazer
  • *
  • Posts: 35
  • School: SMAGS
  • School Grad Year: 2016
Re: Modern History Essay Marking
« Reply #80 on: October 30, 2016, 05:58:23 pm »
Hey :)
Is it too late to ask for feedback on one of my history essays? The exam's tomorrow....
Or should I mainly just focus on going through my notes and understanding everything?  And also is it bad to do a prac doc study the night before?

Btw I'm studying Cold War and Russia

Thank you!

jakesilove

  • HSC Lecturer
  • Honorary Moderator
  • Part of the furniture
  • *******
  • Posts: 1941
  • "Synergising your ATAR potential"
Re: Modern History Essay Marking
« Reply #81 on: October 30, 2016, 06:53:25 pm »
Hey :)
Is it too late to ask for feedback on one of my history essays? The exam's tomorrow....
Or should I mainly just focus on going through my notes and understanding everything?  And also is it bad to do a prac doc study the night before?

Btw I'm studying Cold War and Russia

Thank you!

I think it's probably best that you just study from your notes, write out essay plans, and relax the night before a History exam. You've put the hard work in already, and there isn't much you can do tonight to change the amount of knowledge you have. So, look over some notes, sit back, and relax! It'll all be over soon :)
ATAR: 99.80

Mathematics Extension 2: 93
Physics: 93
Chemistry: 93
Modern History: 94
English Advanced: 95
Mathematics: 96
Mathematics Extension 1: 98

Studying a combined Advanced Science/Law degree at UNSW

tennis1

  • Trailblazer
  • *
  • Posts: 35
  • School: SMAGS
  • School Grad Year: 2016
Re: Modern History Essay Marking
« Reply #82 on: October 30, 2016, 07:57:32 pm »
I think it's probably best that you just study from your notes, write out essay plans, and relax the night before a History exam. You've put the hard work in already, and there isn't much you can do tonight to change the amount of knowledge you have. So, look over some notes, sit back, and relax! It'll all be over soon :)

ok thanks yeah I've  mainly just been doing that anyways

Newbalance101

  • Adventurer
  • *
  • Posts: 8
Re: Modern History Essay Marking
« Reply #83 on: February 10, 2017, 06:07:01 pm »
Hi I was wondering if you could mark this essay for me. Its on the Conflict In Indochina Topic


jakesilove

  • HSC Lecturer
  • Honorary Moderator
  • Part of the furniture
  • *******
  • Posts: 1941
  • "Synergising your ATAR potential"
Re: Modern History Essay Marking
« Reply #84 on: February 12, 2017, 08:51:11 pm »
Hi I was wondering if you could mark this essay for me. Its on the Conflict In Indochina Topic

Hey Newbalance! Welcome to the forum. At the moment, we have a 15 post requirement for essay marking (15 posts = 1 free essay marking!). When you get to 15, shoot me a message, and I'll take a look at your essay. You can get there by asking questions on other forums, answering questions, or just having a chat in some of our games forums!
ATAR: 99.80

Mathematics Extension 2: 93
Physics: 93
Chemistry: 93
Modern History: 94
English Advanced: 95
Mathematics: 96
Mathematics Extension 1: 98

Studying a combined Advanced Science/Law degree at UNSW

beril.akbulut

  • Fresh Poster
  • *
  • Posts: 1
Re: Modern History Essay Marking
« Reply #85 on: February 23, 2017, 11:31:05 pm »
Hey I have speech on Nazi Germany due that assesses the syllabus point: The nature and impact of Nazi propaganda, terror and repression within Germany. For this i was assigned the topic of propaganda so i have to answer the question "In relation to the topic you have studied, to what extent was everyday German life impacted by Nazi use of propaganda, terror and repression?"

I wrote my first draft for this but Im not sure if the way Ive chosen to structure it is the best way. Also i think there is too much narrative and not enough synthesis so it would be great to receive some feedback on this. Would love to know what else i can include or exclude from my speech.

Speech[/b]

The rise of the Nazi party in post war Germany gave way to social, cultural and political revolution to impact the lives of German citizens, often through means of propaganda, terror and repression. Everyday German life was restricted to conservative, nationalistic activities and beliefs the Nazi’s enforced, including the deification of Adolf Hitler, nationalistic pride and anti-semitism. Thus these ideals were heavily prevalent in the propaganda administered by influencers Joseph Goebbels and Adolf Hitler, ultimately ‘terrorising’ and repressing everyday life to a significant extent.

Propaganda in the Nazi regime was utilized to enforce terror accordingly to the policy of Gleichschaltung, which meant that the public accepted terror as a significant part of everyday life. Dr Joseph Goebbels, the head of the ministry of propaganda stated that purpose of propaganda was to unify the nation into supporting the Nazi revolution (Gleichschlatung). The population was expected to be actively involved in the regime as he said ‘We are not satisfied with having 52% of the nation terrorizing the other 48%. We want the people as the people not only passively but actively’. Propaganda being one of the most vital methods of maintaining the Reich, was therefore used to enforce terror and achieve Volksgemeinschaft. Terror was mainly inflicted on minority groups such as the Jews and Communists as they were targeted in propaganda material such as the Anti-Semitic film ‘The Eternal Jew’. The terror Nazi’s enforced was not secretive, but rather accepted by the public as it was the consequence of opposing the Nazi regime, hence proving the success of the propaganda for Gleichschlatung. Furthermore, while the people were in a state of terror and control, this made it easier for Goebbels to perpetuate the Fuhrer myth which deified Hitler as the hero Germany had been waiting for. Hitler was the protector and leader of their nation which the people believed as greetings such as ‘Heil Hitler’ came into common circulation and as W. Shirer said ‘… they looked at him as if he were a messiah, their faces transformed into something positively inhuman’. Thus the use of propaganda was able to enforce terror without disillusioning the public but while still impacting and repressing everyday German life significantly.

The Nazi’s employed propaganda to promote ideals of the fuhrer myth, and nationalism but also to gain support of Gleichschaltung and Volksgemeinschaft while enforcing terror and repression. Hitler knew the significance of propaganda as he stated in Mein Kampf ‘In every really world-shaking movement, propaganda will first have to spread the idea’. He believed in the power of simple, emotional propaganda that touched the individual and evidently this occurred as the public adopted Nazi ideals and the fuhrer myth. Goebbels enforced the purchase of radios so all citizens would be able to hear Hitler’s captivating speeches of propaganda, and thus the Reich produced low-cost radios at 76 marks known as the Volksempfanger. By 1939, 70% of households owned a radio proving how much propaganda the public had exposure to as a part of everyday life. This enforced repression, as the radio was used for propaganda rather than entertainment, and the media was censored. By 1935, 1600 newspapers were shut down and by 1938 10,000 publications had disappeared. Films had to be approved by the Nazi’s and Jewish or Communist works were not permitted. As much as the propaganda aimed to repress opposing Nazi ideals, rallies were used to accentuate the might of the Nazi’s. By repressing the negatives of the system through Gleichschaltung, the Nuremberg rallies promoted Volksgemeinschaft through the assembly of 400,000 people watching propaganda and their fuhrer shine. Hence, the use of propaganda tremendously impacted everyday German life as it repressed opposing Nazi ideals and promoted their beliefs.

The use of propaganda in Nazi Germany was a vital tool in setting up and maintaining the reich, as it convinced people to conform to Nazi beliefs, while terrorising and repressing them so much so that opposing was not an option to consider. This majorly impacted everyday life with restrictions such as the Malicious Gossip Law, meaning that Germans had to actively conform to these radical ideals or face consequences.


sudodds

  • HSC Lecturer
  • Honorary Moderator
  • Part of the furniture
  • *******
  • Posts: 1753
  • "Seize the means of the HSC" ~ Vladimir Lenin
Re: Modern History Essay Marking
« Reply #86 on: February 24, 2017, 12:38:13 am »
Hey I have speech on Nazi Germany due that assesses the syllabus point: The nature and impact of Nazi propaganda, terror and repression within Germany. For this i was assigned the topic of propaganda so i have to answer the question "In relation to the topic you have studied, to what extent was everyday German life impacted by Nazi use of propaganda, terror and repression?"

I wrote my first draft for this but Im not sure if the way Ive chosen to structure it is the best way. Also i think there is too much narrative and not enough synthesis so it would be great to receive some feedback on this. Would love to know what else i can include or exclude from my speech.

Hey hey! Welcome to the forums :) We'll defs have a good look over your speech (or more specifically jake and/or elyse will as I didn't study Germany  :P) but first you'll have to increase your post count - atm 15 posts  qualifies for one piece of (hella) detailed marking :) It's super easy to get up to 15, just ask/answer a few questions and you'll reach it in no time! Having a little read of your speech myself though (again I didn't study this unit so content wise I'm pretty useless haha), I can see a structural issue that you can work on in the meantime while you try to increase your post count. I think your topic sentences need to be clearer, and focus more on making a judgement in relation to the question, rather than explaining a concept (that makes for a nice second sentence). Your judgement can be super simple, but it is also super important that it is there - something more along the lines of this:

The use of propaganda had a highly (remember these buzzwords - super important in a to what extent question!) significant impact on the everyday experience of German citizens, as it was used to normalise terror as a dominating force within their lives.

Then you'd go into a more detailed explanation. Hope this helps to get you started! Let us know when you reach the 15 posts for the rest of the speech :)
« Last Edit: February 24, 2017, 01:00:58 am by sudodds »
FREE HISTORY EXTENSION LECTURE - CLICK HERE FOR INFO!

2016 HSC: Modern History (18th in NSW) | History Extension (2nd place in the HTA Extension History Essay Prize) | Ancient History | Drama | English Advanced | Studies of Religion I | Economics

ATAR: 97.80

Studying a Bachelor of Communications: Media Arts and Production at UTS 😊

Looking for a history tutor? I'm ya girl! Feel free to send me a PM if you're interested!

emilybrooks99

  • Trailblazer
  • *
  • Posts: 27
Re: Modern History Essay Marking
« Reply #87 on: February 26, 2017, 11:35:40 am »
I'm going through some past HSC questions to practice and get to know the modern history content a bit more. Could you please have a look at my essay on 'How significant was the Great Depression in the collapse of the Weimar Republic?'
Thanks

ash_mcalpine

  • Adventurer
  • *
  • Posts: 12
Re: Modern History Essay Marking
« Reply #88 on: March 13, 2017, 08:51:32 pm »
Hey, so this is my essay on the Weimar Republic, honestly my teachers comments were pretty much too vague and my structure didn't make sense, but the only thing that didn't make sense was her feedback so much help would be appreciated!

jakesilove

  • HSC Lecturer
  • Honorary Moderator
  • Part of the furniture
  • *******
  • Posts: 1941
  • "Synergising your ATAR potential"
Re: Modern History Essay Marking
« Reply #89 on: March 13, 2017, 08:55:59 pm »
Hey! We currently have a 15 post requirement for essay marking; for every 15 posts (ie. questions, answers, tips etc.) you contribute to the rest of the forum, you get 1 essay marked! Post again once you get there, and we'll take a look :)
ATAR: 99.80

Mathematics Extension 2: 93
Physics: 93
Chemistry: 93
Modern History: 94
English Advanced: 95
Mathematics: 96
Mathematics Extension 1: 98

Studying a combined Advanced Science/Law degree at UNSW